Above: Antigonick (2015)
Co-Directed by Hope Mohr and Mark Jackson.
Peictured (L to R): Kevin Clarke, Rami Margron, Parker Murphy.
Photo Margo Moritz.

Horizon Stanzas (2023) inspired by Alice Notley’s The Descent of Alette.
Featuring Belinda He, Tegan Schwab-Alavi, and Suzette Sagisi.

Hope Mohr Dance presents "extreme lyric I" Premiere: October 3, 2018 ODC Theater, San Francisco www.hopemohr.org video by Loren Robertson Productions

extreme lyric I (2018) a collaboration with Maxe Crandall featuring Tara McArthur, Suzette Sagisi, Karla Quintero, and Jane Selna.

Open rehearsals at SFMOMA (2017) in collaboration with painter Liam Everett and dancers Suzette Sagisi and Karla Quintero.

Ensemble for Nonlinear Time (2022) in collaboration with Ranu Mukherjee featuring performance by Beatriz Escobar, Belinda He, Irene Hsi, Sunroop Kaur, Claudia Soares, and Karla Quintero.

Excerpt from Ensemble for Nonlinear Time, a film by Ranu Mukherjee with choreography by Hope Mohr featuring performance by Beatriz Escobar, Belinda He, Irene Hsi, Sunroop Kaur, Claudia Soares, and Karla Quintero.

Leaving the Atocha Station (2019) inspired by the Ben Lerner novel
in collaboration with Christian Burns and Wiley Naman Strasser

Passages (2019), a collaboration between Hope Mohr, musician Henry Threadgill, and sculptor Danae Mattes, featuring dancers Jane Selna, Belinda He, and Karla Quintero

Houston’s new, internationally-focused arts institution, the Moody Center for the Arts at Rice University, was built for creating collaborative works and presenting innovative, transdisciplinary experiences. Designed by renowned architect Michael Maltzan, the Moody fosters connections across disciplines.Visit http://www.moody.rice.edu to learn more.

The Exception to the Diagram (2018) choreographed by Hope Mohr for Matthew Ritchie's The Demon in the Diagram at the Moody Center for the Arts. The dance featured live music by Evan Ziporyn and performances by James Graham, Nathaniel Moore, Jane Selna, and Karla Quintero. Videography by Walley Films.

Choreography by Hope Mohr. Co-produced with ODC Theater. Sound design: Teddy Hulsker Lighting and set: David Szlasa Costumes: Tiffany Amundson Dancers: Tegan Schwab, James Graham, Patrick Barnes, Michael Galloway, Lindsey Renee Derry. Video by Loren Robertson Productions - www.lorenrobertson.com

June 2, 2017 Video by Loren Robertson Productions - www.lorenrobertson.com
Choreography/Direction: Hope Mohr in collaboration with the performers Text and Lyrics: Hope Mohr Performers: James Graham, Tara McArthur, Jane Selna, Jenny Stulberg, Kenny Toll, Wiley Naman Strasser Musical Composition & Direction: Beth Wilmurt Sound Design: Theodore J.H. Hulsker Lighting Design: Gabe Maxson Masks: Tiffany Amundson Costumes: Tegan Schwab Additional Vocal Coaching: Ashten Smith Fight Coaching: Dave Maier Premiere: June 8, 2016, ODC Theater
Video: Loren Robertson Productions Text/Lyrics/Choreography: Hope Mohr Sound Design: Theodore Hulsker Music: Beth Wilmurt
TICKETS ON SALE NOW https://odc.dance/mohr Hope Mohr Dance and ODC Theater co-present extreme lyric I inspired by and featuring Ann Carson's translations of the Greek poet Sappho This intimate work, a conversation between contemporary gender identities and an ancient approach to ecstasy, will be performed for small audiences in the round. Featuring projection design by Ian Winters, sound design by Theodore Hulsker and lighting and set design by Tony Shayne. Original performance text in collaboration with Maxe Crandall. Performers: Maxe Crandall, Rose Huey, Tara McArthur, Hope Mohr, Suzette Sagisi, Jane Selna and Karla Quintero. "Choreographer Hope Mohr, who brings a cerebral slant to dance’s visceral vocabulary, is interweaving Sappho’s words into “extreme lyric I,” an up-close modern dance performed in the round at ODC." --S.F. Chronicle's Fall Arts Preview Thursday - Saturday October 4-6, 2018 Shows @ 7 PM & 9 PM at ODC Theater (3153 Shotwell Street, SF) Tickets: $20 - $50 extreme lyric I is made possible through support from individual donors, the Zellerbach Family Foundation, and Lighting Artists in Dance, a program of Dancers' Group. HMD will develop the work in part during a creative residency at Petronio Residency Center, a program of the Stephen Petronio Company. HMD's 2018 programming is supported by the California Arts Council, Center for Cultural Innovation, San Francisco Grants for the Arts, San Francisco Arts Commission, Kenneth Rainin Foundation, the Joe Goode Annex and ODC Theater.
This video is about Slow Line #2 Feb 4, 2015

The Slow Line Collaboration between Hope Mohr and painter Tracy Taylor Grubbs (2015)

A look behind the scenes of Shotgun Players' Production of Antigonick Written by Anne Carson Co-directed by Mark Jackson & Hope Mohr Long time Shotgun artist Mark Jackson joins forces with choreographer Hope Mohr to co-direct this epic struggle between the forces of law and the ties that bind. www.shotgunplayers.org/online/antigonick Shot and Stitched up by Peter Ruocco Cam: BMPCC NLE: Premiere

Anne Carson’s ANTIGONICK for Shotgun Players, co-directed by Hope Mohr and Mark Jackson.

Choreography: Hope Mohr Performer: Peiling Kao Sound: Ben Juodvalkis Video: David Szlasa Premiere: September 2014, Joe Goode Annex, San Francisco S(oft is)hard continues my interest in writing as integral to choreographic thinking. Starting at age nine, I kept a journal to hear my own voice. Journaling is a form of repetition, but also change: at some point, I no longer needed it. My last journal dates to 2000, when I landed my first contract with a professional dance company. As I birthed a public identity as an artist, a private writing self became less necessary. The process of making s(oft is)hard involved sifting through 89 journals spanning twenty years. I kept the first and last, but the rest went into the recycling bin. www.hopemohr.org

s(oft is)hard (2014) featuring Peiling Kao

Hope Mohr Dance www.hopemohr.org Dancers: Jeremy Bannon-Neches, Lindsey Renee Derry, James Graham, Roche Janken, David Schleiffers, Tegan Schwab Music: Henry Hung Group Design: David Szlasa

Choreography: Hope Mohr, in collaboration with the performers Dancers: Jeremy Bannon-Neches, James Graham, Katharine Hawthorne, Roche Janken, David Schleiffers, Tegan Schwab Scenic Designer: Katrina Rodabaugh Music: Partita by Caroline Shaw for Roomful of Teeth; Montmartre by Judd Greenstein for Roomful of Teeth; From the Hanna soundtrack, Chemical Brothers Lighting Design: David Szlasa Sound Design: Ben Juodvalkis Performance Text: Hope Mohr Sewing Assistant: Alex Post Video by Loren R. Robertson Productions - lorenrrobertson.com

Failure of the Sign is the Sign, a new dance by Hope Mohr commissioned by ODC Theater, premieres at ODC Theater in San Francisco May 3-5. TICKETS available at http://www.odcdance.org/performance.php?param=140 Performers include Jeremy Bannon-Neches, James Graham, Katharine Hawthorne, Roche Janken, David Schleiffers, and Tegan Schwab. Sculpture by Katrina Rodabaugh. Photo credit Margo Moritz. Video Loren Robertson. Music by Caroline Shaw for Roomful of Teeth, Made possible, in part, with commissioning funds from ODC Theater and The Andrew W. Mellon Foundation.