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Hope Mohr

Performance
Work
Video
Press
Visual Art
Writing/Public Talks
Shifting Cultural Power: Case Studies and Questions in Performance
Writing & Talks
Blog
Curating
Advocacy
Teaching
Upcoming
About
About
Artist Statement
Collaborators
Institutional Support
Podcast
Support and Connect
Parker Murphy
August 27, 2018

Choreographic Transmission in an Expanded Field: Reflections on "Ten Artists Respond to Trisha Brown's Locus"

Parker Murphy
August 27, 2018

By Hope Mohr

Reprinted from TDR: The Drama Review 62:2 (T238) Summer 2018. 

Newer PostDancing (In)Equity
Older PostReflections on Julie's Tolentino's 2017-2018 Community Engagement Residency

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Past Blog Posts

Featured
June 24, 2025
Shedding a Split Self
June 24, 2025
June 24, 2025
October 22, 2021
Marriage of Figure and Ground
October 22, 2021
October 22, 2021
October 22, 2021
Self and System (re-post)
October 22, 2021
October 22, 2021
February 26, 2021
Behind solidarity statements
February 26, 2021
February 26, 2021
January 11, 2021
Reflections on Dance/Life Experience via Power Shift
January 11, 2021
January 11, 2021
October 11, 2020
Life, Storytelling, and Activism As Improvisational Practice: An Interview with Debby Kajiyama & José Navarrete of Naka Dance Theater
October 11, 2020
October 11, 2020
October 5, 2020
"Resistance and Freedom are Two Sides to the Same Coin": A Conversation with Jarrel Phillips about Capoiera
October 5, 2020
October 5, 2020
September 28, 2020
Embodiment, Strategic Movement Building, and Long Range Visioning: An Interview with Aisha Shillingford
September 28, 2020
September 28, 2020
September 23, 2020
On Embodied Feeling, Intentionality, and Decolonizing Movement
September 23, 2020
September 23, 2020
July 15, 2020
Taking Action toward Distributed Leadership
July 15, 2020
July 15, 2020
July 8, 2020
Some Notes on “Stepping Back”
July 8, 2020
July 8, 2020
April 28, 2020
moving toward distributed leadership
April 28, 2020
April 28, 2020
April 15, 2020
notes on a cancelled dance
April 15, 2020
April 15, 2020
March 26, 2020
Letter to the Izzies
March 26, 2020
March 26, 2020
November 17, 2019
Aesthetic Equity Workshop with Liz Lerman and Paloma McGregor
November 17, 2019
November 17, 2019
October 5, 2019
Race, Aesthetics, and Working in Community: From "Dancing Around Race" to "LatinXtensions" 
October 5, 2019
October 5, 2019
March 27, 2019
Dancing Around Race Community Reader
March 27, 2019
March 27, 2019
March 1, 2019
Dancing Around Race Zine
March 1, 2019
March 1, 2019
January 17, 2019
Dance writing around race
January 17, 2019
January 17, 2019
October 5, 2018
Building Accountability in the Dance Field: An Interview with Michèle Steinwald
October 5, 2018
October 5, 2018
September 28, 2018
Freeing Craft
September 28, 2018
September 28, 2018
September 12, 2018
Dancing (In)Equity
September 12, 2018
September 12, 2018
August 27, 2018
Choreographic Transmission in an Expanded Field: Reflections on "Ten Artists Respond to Trisha Brown's Locus"
August 27, 2018
August 27, 2018
April 1, 2018
Reflections on Julie's Tolentino's 2017-2018 Community Engagement Residency
April 1, 2018
April 1, 2018
March 11, 2018
About Practice: Liam Everett and Hope Mohr in Conversation
March 11, 2018
March 11, 2018
September 28, 2017
What does it mean to have a radical body?
September 28, 2017
September 28, 2017
September 20, 2017
Comments introducing In the Steps of Trisha Brown at YBCA
September 20, 2017
September 20, 2017
September 20, 2017
Questions about artmaking and motherhood
September 20, 2017
September 20, 2017
May 18, 2017
Precarious
May 18, 2017
May 18, 2017
May 18, 2017
choreographic confessions
May 18, 2017
May 18, 2017

Audience Readers

Power Shift Reader
Dancing Around Race Reader
Radical Movements Reader
Signals from the West Reader

published writing by Hope Mohr

Self and System, SFMOMA’Ss Open Space (October 2019)

Choreographic Transmission in an Expanded Field: Reflections on Ten Artists Respond to Trisha Brown's Locus, TDR/The Drama Review (2018)

About Practice: A Conversation between Liam Everett and Hope Mohr, Liam Everett: Without An Audience (Altman Siegel 2018)

Framing Feeling: BodyCartography Triptych, SFMOMA's Open Space (March 26, 2018) (originally commissioned by SFMOMA's Open Space)

The Language of the Listening Body, Women & Performance: a journal of feminist theory (July 2007)  
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