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Photo by Margo Moritz. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1476895424721-5ZSF6OIL0ISNLF8C9HWJ/image-asset.jpeg Blog - Larry Arrington program notes from "Ten Artists Respond to Locus" Larry Arrington in quarter. Photo by Margo Moritz. https://www.hopemohr.org/blog/2016/10/19/on-trisha-and-time monthly 0.5 2020-04-28 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1476862227717-XX4TNYS6ECSE2Z4LK8XD/image-asset.jpeg Blog - On Trisha and Time Dancer Sarah Chenoweth performs Trisha Brown's Locus Solo (1975) as part of HMD's 2016 Bridge Project, Ten Artists Respond to Locus. Photo by Margo Moritz. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1476862491647-SN32QPBZT8UJVDNP556V/AffinityProject_MargoMoritz.jpg Blog - On Trisha and Time Affinity Project performing Color grid with talking (after Locus), part of "Ten Artists Respond to Locus." Featured performers (L to R): Nora el Samahy, Atossa Babaoff, Bea Basso. Photo by Margo Moritz. https://www.hopemohr.org/blog/2016/3/17/n3z8zua424bpshaibvi1zyayqmbnkz monthly 0.5 2016-03-18 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1458262500617-8PGAOP0Y0HPPAU1AAW2V/image-asset.jpeg Blog - DISCOTROPIC and white critical response https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1458262623236-BT0KZXFEW8O9D40S1ED0/image-asset.jpeg Blog - DISCOTROPIC and white critical response https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1458262797006-YKONFL392T6GEKWGO1TT/image-asset.jpeg Blog - DISCOTROPIC and white critical response https://www.hopemohr.org/blog/2016/1/29/four-reviews-from-the-american-realness-festival monthly 0.5 2016-02-09 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1454057762188-A2E0YUI9WSU1DU05CD9G/image-asset.jpeg Blog - Four Reviews from the American Realness Festival   An improvised sculpture in Star Crap Method. https://www.hopemohr.org/blog/2015/12/4/megan-nicely-reviews-rewriting-dance monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/10/28/public-talk-manifesting-without-manifesto monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/9/14/review-alessandro-sciarroni-at-tba-festivalpica monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/9/9/feminist-movement-deborah-hay-artistic-survival-aesthetic-freedom-and-feminist-organizational-principles monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/8/1/on-lineage-at-the-end-of-a-form monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/7/18/contemporary-choreography-meets-medical-technology monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/4/5/against-translation-in-defense-of-inaccessibility monthly 0.5 2020-04-28 https://www.hopemohr.org/blog/2015/3/28/on-curatorial-neutrality-by-megan-wright monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/3/28/faye-driscolls-thank-you-for-coming-by-megan-wright monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/4/5/hot-pink-heaven-queer-utopia-at-american-realness-2015 monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/4/5/new-work-in-new-york monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/4/5/does-your-work-do-what-you-say-it-does monthly 0.5 2016-01-30 https://www.hopemohr.org/blog/2015/4/5/how-to-be-rigorous-and-also-collaborative-stephanie-skura-talks-to-abby-crain monthly 0.5 2020-04-28 https://www.hopemohr.org/blog/2015/4/5/keith-hennessy-reviews-have-we-come-a-long-way-baby monthly 0.5 2020-04-28 https://www.hopemohr.org/blog/2015/4/5/panel-discussion-on-artistic-lineage-featuring-halprin-forti-ross-and-mohr monthly 0.5 2020-04-28 https://www.hopemohr.org/blog/2015/4/5/womens-work monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/tech-is-not-culture monthly 0.5 2015-04-23 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428267480348-UQK28KGTP267YSAROB4R/image-asset.jpeg Blog - tech is not culture https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428267536584-U09I9IS73Q0OM04IPJWN/24-2014-09-DSC03741-300x200.jpg Blog - tech is not culture https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428267536610-SQ01B7ZPIFXR2THAK51E/11-2014-09-DSC03697-300x200.jpg Blog - tech is not culture https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428267536895-SU7FQQTGVVJBLKAC15V3/8-2014-09-DSC03707-300x200.jpg Blog - tech is not culture https://www.hopemohr.org/blog/2015/4/5/curating-the-contemporary monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/simone-forti-in-conversation-with-jennie-goldstein-critical-correspondence-reprint monthly 0.5 2015-04-23 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428266872716-SET1HZCHDCBJZ0AR2N0X/image-asset.jpeg Blog - Simone Forti in conversation with Jennie Goldstein (Critical Correspondence Reprint) Simone Forti, News Animation, performed at the J. Paul Getty Museum, Los Angeles, 2004 © Carol Petersen, 2004 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428266963519-WSA08P9U994YYCNMPE15/image-asset.jpeg Blog - Simone Forti in conversation with Jennie Goldstein (Critical Correspondence Reprint) Simone Forti, Red Illuminations Drawing, 1972. Graphite,ink on vellum, vegetable stamp. © 2013 THE BOX Los Angeles https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428267028733-7TUBDZIMO7GT9BEY9H48/image-asset.jpeg Blog - Simone Forti in conversation with Jennie Goldstein (Critical Correspondence Reprint) Simone Forti, Huddle, 1961. Performed at the Hammer Museum, Los Angeles, 2013 © Sally Stein, 2013 https://www.hopemohr.org/blog/2015/4/5/on-listening-and-artistic-mentorship monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/identity-is-just-a-costume-change-away monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/questions-for-collaborators monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/balancing-authorship-and-dancer-agency monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/the-embodied-mark-movement-for-visual-artists monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/androgynous-choreography monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/everything-is-music monthly 0.5 2020-04-28 https://www.hopemohr.org/blog/2015/4/5/the-syntax-of-female-will monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/visual-arts-graduate-students-watch-rehearsal monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/on-performing-improvisation monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/on-improvisation-and-artistic-voice monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/dancer-perspectives-on-performance monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/questions-for-susan-rethorst monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/failure-of-the-sign-is-the-sign monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/artist-as-curator-and-susan-rethorst monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/the-gift-economy monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/body-based-inquiry monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/distilled-score-for-installation monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/the-tools-of-unmaking-2 monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/choreography-sentence-by-sentence monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/the-tools-of-unmaking monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/the-tools-of-unmaking-choreographers-visual-artists-on-the-practice-of-presence monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/flow-and-shift monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/deconstructing-dance monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/let-the-form-do-the-work monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/collaborating-with-dancers monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/10/language-of-the-listening-body monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/social-practice-choreography-with-trauma-survivors monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/replay monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/tools-for-the-practice-of-presence monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/interview-with-duan-tnek monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/intentions-for-rehearsal monthly 0.5 2015-04-23 https://www.hopemohr.org/blog/2015/4/5/welcome-to-the-hmd-blog monthly 0.5 2015-04-23 https://www.hopemohr.org/calendar-events daily 0.75 2026-02-07 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1770443055142-J13VEWB24L4775MZD0OA/Image4.jpg Calendar events - Ghost Period: a menopausal fugue An intimate performance piece featuring Atosa Babaoff and Hope Mohr. May 27-31 at Space 124 in San Francisco. Supported by a grant from the S.F. Arts Commission. Tickets coming soon. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1770443055142-J13VEWB24L4775MZD0OA/Image4.jpg Calendar events - Ghost Period: a menopausal fugue An intimate performance piece featuring Atosa Babaoff and Hope Mohr. May 27-31 at Space 124 in San Francisco. Supported by a grant from the S.F. Arts Commission. Tickets coming soon. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658023551274-IPAV0MKUR4JG02VA5FBE/Ensemble+1.jpg Calendar events - The Embodied Mark Workshops An intimate workshop for dancers co-led by visual artist Tracy Taylor Grubbs & choreographer Hope Mohr. Two hours of movement research, cross-disciplinary creative process, and improvisation. We'll be guided by sensation and focused inquiry using specific visual arts materials (charcoal, pencil, ink). For movement artists. Saturday October 8 charcoal, contour, gesture Saturday October 15 ink, values, weight, partnering 10-12 noon Francisco Studios, San Francisco Single class $30-$50 sliding scale (materials included) Class limited to four students per class. Class will only happen if fully enrolled. Registration deadline: September 20. To register or have questions? Email hopemohr@gmail.com Pictured: Ensemble 1, pencil and ink on paper, by Hope Mohr https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1752612375750-JCO6K9SY2YSTERUWZET0/Melissa+and+Karla+with+Arleene1.jpg Calendar events - care/stamina care/stamina July 17, 6 PM Catharine Clark Gallery 248 Utah Street, San Francisco Free/No reservations required Artist talk between Arleene Correa Valencia and Faviana Rodriguez after the performance (7:15 PM) Care as a stamina practice can look like a sustained difficult hold, a walk holding hands, or humming into someone's ear. care/stamina is a performance installation and a slow moving sculpture in which two dancers share weight, touch, and stillness. It has been a joy to co-create this work in collaboration with dancers Karla Quintero and Melissa Lewis Wong, sound artist Zachary James Watkins, andArleene Correa Valencia, whose exhibit Codice Del Perdedor / The Losing Man’s Codex at the Catharine Clark Gallery. In the words of artist Arleene Correa Valencia: “I love the idea of having to work together to hold each other. My work is very much about the balance between visibility and invisibility. I think a lot about ways in which we carry each other even when the other isn’t visible or present. The bodies fight to exist together and apart.” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1733094633049-3IGGHTMDAIW1I7APMWUA/Screenshot+2024-10-06+at+11.05.23%E2%80%AFAM.png Calendar events - score for transitional times (January 2025) Kicking off a season of art at the Moody featuring artistic responses to the climate crisis,score for transitional times is a performance installation and a collaboration between multidisciplinary artists Hope Mohr and Ranu Mukherjee featuring an international ensemble of four dancers: Kayla Collymore, Donna Crump, Suzette Sagisi, and Tegan Schwab-Alavi. Approaching this era of energy transition from a place of environmental and cultural consciousness, score for transitional times features a scene, or tableau vivant, coalescing and falling apart according to different time signatures. The dancers repeatedly enact this scene, which draws from lineages of resource extraction, according to visual scores by Mohr and Mukherjee. These visual scores, hybrid forms on muslin that combine drawing and sculpture, hang in the space on moveable screens to become part of the choreography. Working with the intersections of internal, industrial and ancestral time frames, the scores prompt performers to explore layered expressions of tempo and rhythm. Image credit: Hope Mohr Three minutes (sound for ravens) (2024) Pastel, felt, and acrylic on muslin 69” x 69” Inspired by Mike Chin’s “Sound for Ravens” as part of “score for transitional times,” a collaboration with Ranu Mukherjee. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1727029303043-YIS4L0TDPIIV9N2Y69NE/image-asset.jpg Calendar events - San Francisco Open Studios Come see the visual artworks resulting from my 6 month residency at Dogpatch Collective! Part of S.F. Open Studios, October 5 & 6, 10-5 PM. 1661 Tennessee Street, #3D, San Francisco, CA. 94107. No reservations required, free and open to the public. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658023922273-F0PZFNU6XNIX2WPKOGRP/Nancy.jpg Calendar events - Nancy at The Poetry Project NYC In collaboration with poet Maxe Crandall and puppeteer Mike Chin, Hope Mohr will collaborate on a staged version of Crandall’s queer performance novel, The Nancy Reagan Collection, for The Poetry Project at St. Marks Church in New York City. Friday, September 16th. For info : https://www.poetryproject.org/events/maxe-crandall-cate-giordano https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1708405816870-X1J88FIQ3PD6WQXXEUS3/IMG_5677.jpeg Calendar events - On Agency: A Feminist Performance Lecture "On Agency" uses Judith Butler's “The Psychic Life of Power” as a lens to explore the family as a feminist and queer conundrum of agency, ambivalence, and complicity. As part of the talk, I'll be showing (and embodying) a series of new works on felt. Curated by Việt Lê & Presented by CCA's Graduate Visual and Critical Studies Monday March 4th 5-7 PM California College of the Arts Blattner Multipurpose Room 75 Arkansas St., San Francisco, CA, 94107 No reservations required; this event is free and open to the public. Pictured: Reveal (2024) applique on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1704863873048-DQGDRR4NNM83GNYYTRT9/DDL+Headshots+-+Eblast+Sep+2023.jpeg Calendar events - Partial View Partial View, new performance as part of Dancing Distributed Leadership, a project of Bridge Live Arts in collaboration with Rebecca Fitton and Cherie Hill and featuring dancers Belinda He and Rosemary Hannon. March 22-24, Space 124, San Francisco Details at https://www.bridgelivearts.org/event-details-registration/experiments-in-motion Pictured: Rosemary Hannon (up) and Belinda He. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1616375686863-9KGSZFGUF0UJVV884UXZ/NCCA+cover_rev2.jpg Calendar events - Shifting Culture Power: Case Studies and Questions in Performance Shifting Culture Power: Case Studies and Questions in Performance by Hope Mohr, with contributions from participants in The Bridge Project Out now from the National Center for Choreography; Available for order on Amazon.com "Filled with exquisite insights, Shifting Cultural Power demonstrates what we can do to transform curatorial practices toward our shared destinies. Hope Mohr explores the uneven terrain of dance presenting to take on white privilege and attest to the life-affirming rewards of artivism. Written with a smart, raw, confessional tone, this book includes practical strategies for reshaping the terms of live art presenting. Essential reading, and affirmation that how we move through the world matters, onstage and off." - Thomas DeFrantz (Director, SLIPPAGE: Performance|Culture|Technology; Founding Director, Collegium for African Diaspora Dance) Part documentation, part workbook, Shifting Cultural Power offers compelling insight for artist-activist leaders. Mohr reflects on her ten years at the helm of the Bridge Project and the organization's shift into distributed leadership. Originally focused on creating critical exchange within the Bay Area dance community, the Bridge Project evolved to become a home for national discourse around the performing arts and activism. Mohr describes a decade of artist-centered curation, the evolution of the operating context, and her decision to move control of the organization to distributed leadership. Pictured above: Dancers Karla Quintero, Jane Selna, Suzette Sagisi, and Tara McArthur in “extreme lyric I.” Photo by Robbie Sweeny. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1581776739409-9P3BKY2LAUSHHA2Y6UGO/extreme+lyric+I+%282%29.jpg Calendar events - March 6: extreme lyric I at the Baltimore Art Museum March 6: “extreme lyric I” at the Baltimore Art Museum 4:30 PM Part of the "Form Beyond the Aesthetic" Workshop at Johns Hopkins University A dance play inspired by and featuring Anne Carson’s translation of the Greek poet Sappho. More information here Photo by Robbie Sweeny https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1632943615969-UR6O7ISLX4N9Z8A7ZZJI/A9_00516.jpg Calendar events - Performance of Bacchae Before at the new ICA San Francisco Performance of Bacchae Before at the new ICA San Francisco: We are a non-collecting contemporary art museum that prioritizes artists over art holdings, individuals over institutions, and equity and expansion of the canon. Through boundary-expanding curatorial initiatives and collaborations across the arts, ICA SF seeds need-to-know, civically engaged local artists and curators into global consciousness and brings international artists to the Bay Area In breaking from the expected museum model, ICA SF pushes against tradition and hierarchies, fundamentally changing how contemporary art is curated, compensated and accessed by all. part of ICA's Meantime Series March 25th https://www.icasanfrancisco.org/programsandexhibitions Hope Mohr + Maxe Crandall: Bacchae Before March 25 / 7–9 pm / 8 pm showtime Bacchae Before is a dance theater project co-directed by Maxe Crandall (playwright) and Hope Mohr (choreographer) and inspired by the tragedies of gender reveal parties and Anne Carson's Bakkhai. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1557167296521-6G76033HTJX9E2NW26MI/HMD_InheritedBodies_ArtistCollage.jpg Calendar events - "Inherited Bodies" September 26 HMD's Bridge Project and SFMOMA’s interdisciplinary arts and culture platform Open Space co-present INHERITED BODIES How do artists in different traditions contend with, honor, and resist the past? Four artist lecture demonstrations followed by discussion Women's Building, San Francisco Thursday, September 26 6-8 PM. FEATURING Sara Shelton Mann, Nadhi Thekkek, Snowflake Towers, and Jarrel Phillips Part of Signals from the West: Bay Area Artists in Conversation with Merce Cunningham at 100. Featured artists will respond to the following prompts: —How does history/the past operate in your work? —Who or what are the giants in your tradition (whether forgotten or celebrated) and how do they figure in your work? —How do you navigate between traditional and experimental forms in your work? The event will be moderated by Claudia La Rocco, Director of Community Engagement and Editor-in-Chief of Open Space at SFMOMA. THIS EVENT IS FREE BUT REGISTRATION IS REQUIRED PLEASE REGISTER HERE: https://www.artful.ly/hmd/store/events/17848 ABOUT THE FEATURED ARTISTS Sara Shelton Mann has been a choreographer, performer, teacher since 1967. She was a protégé of Alwin Nikolais and Murray Louis in N.Y.C. before moving to Canada where she met Andrew Harwood and fell in love with contact improvisation. In 1979 she moved to SFCA and started the Company Contraband as a performance group and research ground combining the principles of contact, systems of the body and spiritual practice into a unified system of research. Among her awards are a John Simon Guggenheim Fellowship, 6 Isadora Duncan Awards, Djerassi Artist in Residence Awards, Headlands Center for the Arts Residency 2016, Life Time Achievement Bay Guardian Award, 10 Women who made a Difference, Bay Guardian Award, Foundation for Contemporary Arts Grants to Artists award (2016). Her Movement Alchemy training is an ongoing teaching project and is influenced by certifications and studies in the metaphysical and healing traditions. Sara’s performance work is a platform for collaboration and research in consciousness. Jarrel Phillips, a.k.a Chumbinho, is a performing artist and capoeira instructor from San Francisco. He's been featured in When We Move, a short film by San Francisco Museum of Modern Art (SF MOMA); Picture Bayview, a dance and theatre show produced by Joana Haigood founder of Zaccho Dance Theatre, and in the music video for Crazy For You by Michael Franti and Spearhead. Phillips has performed with Circus Automatic, City Circus and in various festivals and events throughout the San Francisco Bay Area including the "How Weird Street Faire" and the SF Edwardian Ball. His work and practice has taken him around the world and includes photography, journalism, oral history, and gallery curating. Phillips currently teaches youth throughout the city of San Francisco and believes that through movement we embody, explore and share our stories; enriched with information, feelings and experiences. His work explores the important role stories play in our lives, pulling from his very own life as a SF native and world traveler. Phillips believes our individual and collective stories can build bridges across cultures and communities and spark dialogue that inspires personal and collective growth and transformation. Nadhi Thekkek is a bharatanatyam dancer and Artistic Director of Nava Dance Theatre, a dance company based in San Francisco. Her work through Nava has been supported by California Arts Council, CounterPulse, CA$H Grants, Zellerbach Family Foundation, Dancers' Group, East Bay Community Fund and others. Nadhi’s most recent work created in partnership with visual artist Rupy C. Tut, is "Broken Seeds Still Grow," a mixed media production inspired by the Partition of British India. The various performance venues for her work have included the La Mama Experimental Theatre Club (Drive East NYC), National Steinbeck Center (Salinas), San Francisco Ethnic Dance Festival @ YBCA (SF), The Dance Centre (Vancouver), and others. Her recent freelance work include both solo performance and collaborations with the Oakland Ballet, Randee Paufve (Oakland), Seeta Patel (London), Sujit Vaidya (Vancouver.) Nadhi received her foundational training from Sundara Swaminathan (Kala Vandana Dance Company, San Jose) and Padmini Chari (Nritya School of Dance, Houston.) As of 2012, she has continued training under A. Lakshmanaswamy (Nrityalakshana, Chennai.) www.navadance.org Snowflake Towers is a Two-Spirit artist who serves as the Co-President of QUIL - Queers United for Intersectional Liberation. She produces queer events throughout California that allow her to curate a vehicle for political, social, and cultural activism through the artistry of her radical queerness. In addition, she is a professional dancer, teacher and entrepreneur. She is a member of The Haus of Towers, has worked with the BAAITS Powwow committee, teaches decolonization through movement workshops, is the former owner/director of The Dance Zone Studio, and is currently hosting two-spirit talking circles with free healing clinics. Pictured (clockwise starting top left): Nadhi Thekkek, Jarrel Phillips, Sara Shelton Mann, Snowflake Towers https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1583861650755-NYEPZ5GF2R86WHBTUBI6/image-asset.jpeg Calendar events - June 13 & 14 : Leaving the Atocha Station June 13 & 14, ODC’s Walking Distance Dance Festival presents HMD’s “Leaving the Atocha Station,” inspired by Ben Lerner’s novel of the same name. “refreshingly poetic in its form and movement” -Dance Matters In Lerner's postmodern novel about an artist's search for authenticity, the protagonist poet, crippled by irony and doubt, longs to disappear into numbness. But he secretly believes in the power of art. Mohr's work takes the genre-breaking nature of Lerner's auto-fiction as a jumping off point for hybrid theater: part dance improvisation, part monologue, part hallucinatory testimonial for the role of art in precarious times. Featuring two veteran performers, Christian Burns and Wiley Naman Strasser, each of whom embodies a different aspect of the protagonist's conflicted self. TICKETS AVAILABLE NOW at https://odc.dance/WDDF https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567037407841-PMONZO0XVUOAV5DXFIGM/HMD_LizLermanPaloma_01.jpg Calendar events - Aesthetic Equity workshop with Liz Lerman and Paloma McGregor Aesthetic equity is not __________ / aesthetic equity is _________ / visioning the reworking of everything, together HMD’s Bridge Project is proud to present a workshop on the intersection of cultural equity and aesthetics with Liz Lerman and Paloma McGregor on Saturday October 26th, 12-4 PM, at the Joe Goode Annex. REGISTER HERE WORKSHOP DESCRIPTION This workshop will allow for examination of movement practices from company class to compacts for collaborative performance making to the work of being in the room together. The urgency of our times demands our fresh attentiveness to decision making, imagination, and building multiple frames for our work. ABOUT THE WORKSHOP LEADERS Liz Lerman is a choreographer, performer, writer, educator and speaker, and the recipient of honors including a 2002 MacArthur “Genius Grant” and a 2017 Jacob’s Pillow Dance Award. Key to her artistry is opening her process to various publics, resulting in research and outcomes that are participatory, urgent, and usable. She founded Dance Exchange in 1976 and led it until 2011. Her recent work Healing Wars toured the US. Liz teaches Critical Response Process, creative research, the intersection of art and science, and the building of narrative within dance at institutions such as Harvard, Yale School of Drama, and Guildhall School of Music and Drama. Her third book is Hiking the Horizontal: Field Notes from a Choreographer. As of 2016 she is an Institute Professor at Arizona State University. Paloma McGregor , originally from St. Croix, is an award-winning artist and organizer living in Harlem. Paloma’s work centers Black voices through collaborative, process-based art-making and organizing. A lover of intersections and alchemy, she develops projects in which communities of geography, practice, and values come together to laugh, make magic and transform. She has created a wide range of work, including a dance through a makeshift fishnet on a Brooklyn rooftop, a structured improvisation for a floating platform in the Bronx River and a devised multidisciplinary performance work about food justice with three dozen community members and students at UC Berkeley. Paloma was a 2013‐14 Artist In Residence at NYU’s Hemispheric Institute for Performance and Politics, a 2014-16 Artist In Residence at BAX | Brooklyn Arts Exchange, a 2016-18 New York Live Arts Live Feed Artist, and is currently a Movement Research Artist in Residence and an Urban Bush Women Choreographic Fellow. She has been nominated for the prestigious United States Artists Fellowship and the Herb Alpert Award. Recent support for her work includes grants from MAP Fund, Surdna Foundation, Dance/NYC, NYSCA and Dance/USA Engaging Dance Audiences. Paloma also facilitates technique, creative process and community engagement workshops around the world. She toured internationally for six years with Urban Bush Women and two years with Liz Lerman/Dance Exchange, and continues to perform in project‐based work, including Skeleton Architecture, with whom she received a 2017 New York Dance and Performance Bessie Award for performance. REGISTER HERE Photo: (L) Liz Lerman by Lise Metzger; (R) Paloma McGregor. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1568570245480-FUVGIFHY122P85C6LNKS/IMG_6589.jpg Calendar events - Sunday Morning Practice and Sharing with Sherwood Chen **THIS WORKSHOP IS SOLD OUT** BIQTPOC Performing Artist Hive and HMD’s The Bridge Project present Sunday Morning Practice and Sharing with Sherwood Chen Sunday October 6, 2019 9am to 1pm This exploratory morning will introduce aspects of Bay Area-bred dancer Sherwood Chen’s movement research. We will investigate landscapes inscribed on our skins and the environments in which we are situated. Practices will occur inside and outside the studio, include physical contact and scores in partners and / or groups, and will conclude with an informal artist talk over lunch. Registration and punctual arrival are required to attend. No walk-ins. Black, Indigenous, Queer, and Trans folk and people of color are encouraged to join. Please no scents or perfume. There will be two air purifiers running in the space. Space is limited so register early. Sherwood Chen is a performer and cultural worker. He performs and leads workshops internationally, and has worked with artists including Grisha Coleman, Yuko Kaseki, Amara Tabor-Smith, Xavier Le Roy, Min Tanaka, Anna Halprin, Jess Curtis, inkBoat, Sara Shelton Mann and l’agence touriste. He has trained dancers in places including the Centre National de la Danse, Independent Dance / Siobahn Davies Studios, La Ménagerie de Verre, Oficina Cultural Oswalde de Andrade, ODC, Arlequi, Chez Bushwick, Sala Crisantempo, Centro Nacional de las Artes, UC Berkeley and the Maré Center for the Arts. For over twenty years, he has contributed to Body Weather research initiated by Tanaka and his associates, both as a member of Tanaka's company Mai Juku and Body Weather Farm in Japan, and subsequently working with founding members including Oguri and Christine Quoiraud in the US and France. His arts advocacy work has specialized in support for tradition-based, indigenous and community-based artists and programs. Photo of Sherwood Chen by Sigel Eschkol https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1522635145041-L8WXD06ARFV6NTFMVSH3/HMD_KristinHorrigan_web_04.jpg Calendar events - June 1-3: (Un)doing Gender in CI The Bridge Project and CIIS co-present A Contact Improvisation Workshop with Kristin Horrigan: (Un)Doing Gender in CI Friday and Saturday June 2 & 3, 2018 12-5 PM Location: S.F. Conservatory of Dance, 301 8th Street, San Francisco Sliding Scale $125-$200 To register email: admin@hopemohr.org Workshop Description Contact Improvisation is about responding in the moment, playing with the possibilities, creating with what we find, and using our full physical capacity to navigate the situations that present themselves. Within this form, we have tremendous freedom to move our bodies and to discover different dynamics of dances. But, what if we are holding ourselves back from the full range of possibilities in our dancing, in ways we do not even realize? Gendered patterns of movement and interaction play a larger role in CI dancing than one might think, given that CI is a form without any proscribed gender roles. In our days together, we will seek to deepen our CI dancing, strengthen our technique, and expand the range of dances we have by discovering how gender lives in our movement and building strategies to undo the ways it limits us. Kristin Horrigan is a contact improviser, Professor of Dance and Gender Studies at Marlboro College in Vermont, and the former Artistic Director of the intergenerational company Dance Generators. She has been dancing contact improvisation for 20 years, teaching regularly in the US and abroad. Begun as an exploration of the queer potential of CI as a gender-fluid dance, her current research is a practice of unearthing the habits and histories that limit us to gendered stories. In addition, Kristin’s CI teaching explores pedagogy that preserves the accessibility of CI for people of all body types and abilities, the skill of being interested in the moment, and relationships between play and composition. At Marlboro College, Kristin directs a curriculum that is oriented towards social justice, creative process, critical thinking, and interdisciplinarity. Kristin holds an MFA in Choreography from Ohio State University and works as a community-based artist, drawing together untrained and trained dancers to collaborate around issues of mutual concern. To register email admin@hopemohr.org https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1520622931122-668SYICFQALDUIUQU5ZX/HopePolarized_384.jpg Calendar events - May 23: Studio Showing On Wednesday May 23rd at 6 PM at the S.F. Conservatory of Dance, Hope Mohr will have a studio showing of work in progress from extreme lyric I, which will premiere in October 2018. By invitation only. Photo by Margo Moritz. Design/Concept by Aza Raskin. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1501372166159-AYL721IW3NAVC4LLWRYF/WMC_NettaYerushalmy-1310566-26+%281%29.jpg Calendar events - February 22-25, 2018: Netta Yerushalmy's Paramodernities (Performance and Workshop) TICKETS AVAILABLE NOW 2018 BRIDGE PROJECT Paramodernities #1, #3 and #4 A Series of Dance Experiments Led by Artist Netta Yerushalmy Netta Yerushalmy's West Coast Debut February 22-25, 2018 ODC Theater TICKETS AVAILABLE NOW Hope Mohr Dance’s Bridge Project, in partnership with ODC Theater, presents a series of dance experiments led by NYC-based artist Netta Yerushalmy, Feb. 23-25, 2018. Paramodernities is a multidisciplinary project that engages deeply with the canon of modern dance in radical, reverent, and violent ways in order to spark new ideas, choreographies, and conversations. For this West Coast debut, Yerushalmy will share responses to Vaslav Nijinsky, Alvin Ailey, and Merce Cunningham followed by public discussions. #1. VASLAV NIJINSKY. The installment that explores Vaslav Nijinky is called The Work of Dance in the Age of Sacred Lives and features scholar David Kishik and Yerushalmy herself. #3. ALVIN AILEY. Revelations: the Afterlives of Slavery is the installment sprouting from the work of Alvin Ailey, and features scholar Thomas DeFrantz and performers Oluwadamilare Ayorinde, Brittany Engel-Adams, Stanley Gambucci, Nicholas Leichter, and Yerushalmy. #4. MERCE CUNNINGHAM. Material from five different works by Merce Cunningham will be combined to form an “inter-body event” performed by Brittany Engel-Adams and Marc Crousillat who are joined on stage by a panel of local scholars and artists including Claudia La Rocco, Jennifer DeVre Brody, Maxe Crandall, Margaret Jenkins, and Jos Lavery. TICKETS AVAILABLE NOW PUBLIC WORKSHOP: Deconstructing Dance History: A Studio Practice SUNDAY FEBRUARY 25, 12-5 PM TO REGISTER email programs@hopemohr.org Sliding scale: $55-$100 This workshop is about meeting ourselves a new, through re-embodying what I refer to as the "geological" layers that comprise our trained moving bodies. In the first half of the workshop we'll spend time studying and dancing movements that we in some sense know, that we take for granted, or that we deem "old school" and naive. Like trying on a period-costume and allowing it to change our behavior, we'll reverently (if temporarily) commit ourselves to the physicality, meaning, and ideologies that these movements hold. The second half of the workshop will be about manipulating that information with a variety of irreverent methods. These deconstructive methods aim at generating new perspectives for workshop-participants about our individual and shared past-present-future moving bodies. ABOUT NETTA YERUSHALMY Based in New York City since 2000, Netta was most recently named a Foundation for Contemporary Arts Grants-For-Artists recipient. She has been awarded fellowships from the Guggenheim Foundation, Jerome Robbins BogliascoFoundation, New York Foundation for the Arts, Extended Life (LMCC), as well as an Artist In Residence at Baryshnikov Arts Center, Jacob’s Pillow, Watermill Center, Movement Research, DiP resident (Gibney), Djerassi, ICI Berlin, and TribecaPerforming Arts Center. Her work was presented by American Dance Festival, Joyce Theater, New York Live Arts, Jacob's Pillow Dance Festival, La Mama, Danspace Project, HarknessDance Festival, + many others; In Israel by Curtain-Up, Jerusalem International Dance Week, International-Exposure; In Europe by HAU Hebbel am Ufer (Berlin), Centre National de la Danse (Paris), Institute for Cultural Inquiry (Berlin), and International Solo-Dance-Theater Festival (Stuttgart). Commissions for repertory companies: Ririe Woodbury (SLC, '15), Zenon (Minneapolis, '12,'14), Same Planet Different World (Chicago, '13), Philadelphia International Festival of the Arts ('11). Netta has worked with students at the Juilliard School, Rutgers University, Alvin Ailey, Tisch School of the Arts, University of Austin, University of Utah, James Madison University, Kelim Choreographic Center (Israel), University of the Arts (Philadelphia). Netta danced with Doug Varone and Dancers ’07-'12. She also performed with Nancy Bannon, Mark Jarecki, Metropolitan Opera Ballet. She currently dances with Joanna Kotze, and Pam Tanowitz. To register for the workshop, email programs@hopemohr.org Paramodernities is a National Performance Network/Visual Artists Network (NPN/VAN) Creation & Development Fund Project commissioned by Jacob’s Pillow Dance in partnership with HMD's Bridge Project, New York Live Arts, Lower Manhattan Cultural Council, and developed in part during residencies at Trinity College, Williams College, Djerassi Art Program, Watermill Center, Baryshnikov Arts Center, Harkness Dance Center 92Y, and Movement Research. For more information: www.npnweb.org HMD's 2018 Bridge Project is presented in association with ODC Theater, with promotional support from SFMOMA's Open Space Limited Edition. Limited Edition is an Open Space partnership with CounterPulse, The Lab, ODC Theater, Performance at SFMOMA, and Z Space, exploring questions of legacy and lineage through performances, discussions, commissioned texts and gatherings at various locations throughout San Francisco. Photo by Caterina Verde. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1504752451449-YG1XWQZA0QDVSFE8IQNL/LE-F16-43-Eightercua.jpg Calendar events - Open rehearsals at SFMOMA Featured image: Liam Everett, Untitled (Eightercua), 78x55 inches, 2016 Hope Mohr Dance is honored to have been invited to hold open rehearsals at SFMOMA as part of painter Liam Everett's SECA Award exhibit, Look at a cat when it stalks a bird; or a beast when it wants to escape. Thursdays 4-6 PM Through September 14th. SFMOMA, 4th floor. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1513306667079-1NADF0A6QX1KF8288MAX/01_WeAreMultidimensionalBeings.jpg Calendar events - January 26: HMD performs at Sanctuary exhibit with Ranu Mukherjee In collaboration with painter Ranu Mukherjee, HMD will perform as part of the For Sight Foundation's Sanctuary exhibit on Friday, January 26th. Tickets and information at https://www.for-site.org/project/sanctuary/ "The notion of sanctuary—both physical and psychological—has been fundamental in shaping a sense of selfhood and social identity throughout human history. But in an era of increasing global migration and rising nationalism, the right to safe haven is under threat, and the necessity for compassion is greater than ever. For its latest presentation of art about place, FOR-SITE invited 36 artists from 21 different countries to design contemporary rugs reflecting on sanctuary, offering visitors a multiplicity of perspectives on the basic human need for refuge, protection, and sacred ground." -For Site Foundation Photo of "We Are Multi-Dimensional Beings" by painter Ranu Mukherjee. Courtesy of the artist. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1501370949928-90IA7YZWF3J2ENZ4163C/MFR+by+robbie+sweeney.jpeg Calendar events - The 2017 Bridge Project: Radical Movements: Gender and Politics in Performance What does it mean to have a radical body? Artists, activists and academics respond with two weeks of multidisciplinary performance and dialogue. TICKETS ON SALE NOW AT counterpulse.org FEATURED ARTISTS AND ACTIVISTS Friday, November 3 (8 PM) Judith Butler and Monique Jenkinson in Ordinary Practices of the Radical Body At CounterPulse Saturday, November 4 (8 PM) Jack Halberstam and boychild premiere dance of darkness: a performance, a conversation, a rehearsal for the future At CounterPulse Friday, November 10 (8 PM) Peacock Rebellion premieres You Really Should Sit Like A Lady (or how I got to femme) What do martial arts, early 90's R&B divas, crotchety elders and sailor moon have to do with gender? A whole damn lot! Join Lisa Evans for an exploration of the hilarious, perplexing and sometimes infuriating contradictions in the process of gender identity formation in their first ever full length show You Really Should Sit Like A Lady (or how I got to Femme). At CounterPulse Saturday, November 11 (8 PM) Maryam Rostami premieres Untitled 1396 At CounterPulse Sunday, November 12 Julie Tolentino and The Hard Corps Performance Installation 4-7 PM Discussion 7-8 PM Reception 8 PM Featuring Julie Tolentino and The Hard Corps (Amara Tabor Smith, Larry Arrington, Xandra Ibarra, and Maurya Kerr) part of Tolentino's year-long Community Engagement Residency supported by the Bridge Project. In process explorations will be followed by a public group discussion with the artists, joined by Tolentino's colleagues Debra Levine and Scot Nakagawa. At the Joe Goode Annex, 401 Alabama Street Tickets on sale now at counterpulse.org **Press Release** The 2017 Bridge Project is co-produced by CounterPulse, sponsored by the Joe Goode Annex, and supported by the NEA, the California Arts Council Artists Activating Communities, San Francisco Grants for the Arts, the Kenneth Rainin Foundation, and the Sakana Foundation, and generous individual donors. This event is supported in part by the California Arts Council, a state agency. Learn more at www.arts.ca.gov Photo of Maryam Rostami by Robbie Sweeney. Courtesy of the artist https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1506720396405-M842HLLO0GQDCY1A71DD/SFTD+INFO+CARD.jpg Calendar events - Femsplay premieres at Trolley Dances Don't miss the premiere of Femsplay, a new site-specific dance by Hope Mohr, part of S.F. Trolley Dances. Saturday and Sunday October 20 and 21st. 6 shows a day to choose from! 11-2:45 PM. Tours start every 45 minutes from CIIS on 1453 Mission Street. FREE with Muni Fair. A great event for kids offering many different kinds of site-specific performances. More info at epiphanydance.org https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1512527670540-QDWW1B6Y3FPYXWVNLF9C/HopeMohr_775.jpg Calendar events - Performance Ecologies in Curatorial Practice ICPP/ODC Conversation during NPN in San Francisco Performance Ecologies in Curatorial Practice Hosted by ODC Theater and the Institute for Curatorial Practice in Performance Friday, December 15, 6:30-7:30pm, ODC Theater FREE // No Reservation Required A conversation with Hope Mohr (Artistic Director, Hope Mohr Dance and curator/producer of The Bridge Project) in dialogue with Julie Potter (Director, ODC Theater) and Sarah Curran (Director, Wesleyan University's Center for the Arts). Join us for happy hour noshes in the Mission and a discussion about curatorial practices and projects which entail partnership, shapeshifting among roles in performance making, and a focus on ecologies. We'll look to The Bridge Project, which approaches curating as a form of community organizing and recently completed the Radical Movements festival, as well as public engagement and presenting collaborations at ODC Theater as points of departure to explore generating and amplifying cultural and cross disciplinary experiences. Hope Mohr Dance/The Bridge Project: http://www.hopemohr.org ODC Theater: http://odctheater.org NPN 2017: https://npnweb.org/site/annualconference2017   *Please enter at the Shotwell Street entrance to the ODC Theater building (3153 17th St.) and proceed to the 2nd floor conference room. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1459616857660-53Y4V46GHGYWODI8XNA5/20150413_095004.jpg Calendar events - ODC Presents the Premiere of Manifesting June 9-11 June 9-11 ODC Theater presents HMD's Ninth Home Season featuring the premiere of Mohr's Manifesting, an antic dance theater work inspired by the genre of artist manifestos, Through dynamic oscillation between language, music and movement, Manifesting investigates how we use rules to channel our animal nature and how manifestos both mask and expose us. Manifesting features not only Mohr’s choreography, but also her original script and song lyrics. Collaborators include composer Beth Wilmurt, lighting designer Gabe Maxson, formerly of the Wooster Group, fight choreographer Dave Maier and sound designer Teddy Hulsker. Costume designer Tiffany Amundson has created elegant animal masks for the performers to represent the wildness inside us. Mohr will also collaborate with a new ensemble that can dance, sing and act — a new standard for a company that has previously only sought trained dancers. The program also features the reprisal of Stay (2015), Mohr's acclaimed choreographic response to Francis Bacon. WATCH THE TRAILER. TICKETS HERE. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1508447530150-01M478B9EGXU3L7YLW7V/HopeMohr_542.jpg Calendar events - HMD performs Precarious at APAP HMD will perform an excerpt of Precarious in New York City as part of the of the Pentacle Showcase. Sunday, January 14th, 2018 10:30 AM New York City Center, Studio 4 130 W 56th Street New York, NY 10019 Free and open to the public. No reservations required. See highlights from Precarious HERE. Photo by Margo Moritz.   https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1512528433533-LMU30FNP8M78I9XTHQ7V/HopeMohr_321.jpg Calendar events - Bodies in Resistance December 9 Friday December 9th 8 PM CIIS, 1453 Mission Street, San Francisco Details and Tickets HERE Drawing on CIIS' mission of personal and social transformation, CIIS Public Programs released a call for Bay Area performers of all types interested in presenting new and existing work in response to the concept of Performance as Resistance. This event features two of the selected performers who applied to the call earlier this year. In times of protest, the works artists create are often a reflection of, and contribution to, resistance efforts. This evening explores the intersection of performing arts and resistance with two short dance pieces, followed by conversations with their creators about their process, the meaning behind the movements, and more. Hope Mohr Dance presents an excerpt from Precarious, a dance inspired by the passing of the last industrial blacksmith shop in San Francisco. The performance was created by Hope Mohr as a protest against San Francisco's gentrification boom as a threat to the city's identity as a progressive, inclusive place accessible to a wide variety of artists and artisans. Heather Stockton presents a new dance work investigating how the body is weathered by the deluge of "emergency" and "breaking development" news stories, and the resulting questions about resistance. In this piece, she responds to the question: How is a body most effective at performing resistance in this time? Both artists are joined in conversation by fellow San Francisco performance maker and educator Ryan Tacata. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477076980959-RCD7X99ZAB1RJTHR3ZT1/_D3S7907_IanDouglas.jpg Calendar events - Workshop with Miguel Gutierrez: Making Work HMD’s Bridge Project presents a Workshop with Miguel Gutierrez: Making Work Friday, February 17, 5:30-9:30 PM Saturday, February 18, 10-2 then 3-5 Sunday, February 19, 10-2 then 3-5 Cost: Sliding scale $175-$250 Registration is limited. To register email: bhumi.b.patel@gmail.com Workshop Description We focus on the creative process in making body/movement based performance. Through unequal parts making, discussing, improvising and watching the work of other workshop participants, we uncover and deepen your individual interests, your process and your work. Inherited notions of dance and performance are critiqued, absorbed or discarded in the service of creating performance that comes from a vital, necessary place and that speaks to a contemporary context. I am interested in harnessing the various fictions that we already construct unconsciously and using those as a frame for examining other possible frames for performance. There is no one way to make work. --Miguel Gutierrez Photo by Ian Douglas.     https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1456356421550-CLCGCDA28KO12PMIHV0C/Wendi+Norris.png Calendar events - HMD Benefit Performance Thursday March 31 Help us keep the arts vibrant in the Bay Area. Modern art meets modern dance when Hope Mohr Dance performs at the beautiful Gallery Wendi Norris. Enjoy one-night only performances, Honig wines, Fort Point Beers, a silent auction featuring exclusive tickets to the hottest cultural events, and the work of visual artist Ana Teresa Fernandez on the walls. All proceeds go to artist pay for HMD's 2016 season. Remember to buy your tickets here.   https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1440471207790-IT3CRZCV8BZQ5ZOOX2MH/HopeMohrODC_147.jpg Calendar events - Performance of Stay at Stanford HMD performs "Stay," a choreographic response to Francis Bacon, October 2nd at 6 PM at Stanford University in the Old Union Ballroom. Free and open to the public. Presented by the Stanford Art Institute. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428944046713-YZUO2K28T2TJM4FX7XGL/20150413_095004.jpg Calendar events - October 2015: Research residency at Stanford Arts Institute In October 2015, Hope will have a research residency at the Stanford Arts Institute to begin development of a new work, Manifesting, which will premiere in June 2016. Residency Events October 2, 6 PM Performance of Stay: A response to painter Francis Bacon. Old Union Ballroom. No reservations required. October 28, 7 PM Lecture/demonstration of research. Campbell Recital Hall. Description of Research Choreographer and writer Mohr will research the intersection of artmaking and ideology through the genre of artist manifestos. Manifestos are future-oriented visions. Improvisation is creative thinking in the present. How do these two approaches to art intersect? What is the role of rules in the creative process? Can rules co-exist with intuitive ways of creating? How can rules bring us closer to our creative desires? This work continues Mohr’s ongoing interests in placing contemporary dance in historical and political context and in making work about the creative process itself. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1449267780323-UDK9LVAHFNAGN0JMXSYL/DSC_1269.jpg Calendar events - Hope Teaches at UCLA Feb 1-4 Hope will be teaching at UCLA's Department of World Arts and Cultures/Dance February 1-4, 2016. https://www.hopemohr.org/works-collection daily 0.75 2025-07-22 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1753145031749-W9144ONP0N4TWR2RFBCO/image-asset.jpeg Works Collection - care/stamina (2025) Hosted by BOXBLUR at Catharine Clark Gallery, care/stamina is a performance installation and a slow-moving sculpture in which two dancers share weight, touch, vulnerability, and stillness. Directed by Hope Mohr in collaboration with dancers Karla Quintero and Melissa Lewis Wong and sound artist Zachary James Watkins, care/stamina is performed within the exhibition of work by Arleene Correa Valencia titled Codice del Perdedor/The Losing Man’s Codex at the Catharine Clark Gallery. In the words of artist Arleene Correa Valencia: "I love the idea of having to work together to hold each other. My work is very much about the balance between visibility and invisibility. I think a lot about ways in which we carry each other even when the other isn’t visible or present. The bodies fight to exist together and apart. " In the words of choreographer Hope Mohr: "This work offers an embodied expression of care as a stamina practice. This can look like a sustained difficult hold, a walk holding hands, or humming into someone's ear. There are so many different ways to touch another person. Touch can be a form of sanctuary. Inside this sanctuary, so much is possible." Image: Karla Quintero and Melissa Lewis Wong in care/stamina. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1753145031749-W9144ONP0N4TWR2RFBCO/image-asset.jpeg Works Collection - care/stamina (2025) Hosted by BOXBLUR at Catharine Clark Gallery, care/stamina is a performance installation and a slow-moving sculpture in which two dancers share weight, touch, vulnerability, and stillness. Directed by Hope Mohr in collaboration with dancers Karla Quintero and Melissa Lewis Wong and sound artist Zachary James Watkins, care/stamina is performed within the exhibition of work by Arleene Correa Valencia titled Codice del Perdedor/The Losing Man’s Codex at the Catharine Clark Gallery. In the words of artist Arleene Correa Valencia: "I love the idea of having to work together to hold each other. My work is very much about the balance between visibility and invisibility. I think a lot about ways in which we carry each other even when the other isn’t visible or present. The bodies fight to exist together and apart. " In the words of choreographer Hope Mohr: "This work offers an embodied expression of care as a stamina practice. This can look like a sustained difficult hold, a walk holding hands, or humming into someone's ear. There are so many different ways to touch another person. Touch can be a form of sanctuary. Inside this sanctuary, so much is possible." Image: Karla Quintero and Melissa Lewis Wong in care/stamina. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1753145751504-J0MA7N4VQJRUHEI17F15/image-asset.jpeg Works Collection - score for transitional times (2025) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1711496220772-D1IKSZK37UTJ89IC1HCT/image-asset.jpeg Works Collection - Partial View (2024) A co-creation with dancers Rosemary Hannon and Belinda He, Partial View is a long-form contact improvisation duet exploring the somatics and performance of partnering. Partial View invites the audience into co-directing the score alongside the performers to explore the following questions through movement: What does it mean to direct time? How do different qualities of touch influence weight sharing? As a performer, how do you invite an audience into emotional landscape? What does “theater” mean in the context of contact improvisation? How do you perform an ongoing process? Partial View was presented by Bridge Live Arts March 22-24, 2024, as part of Experiments in Motion at Space 124 in San Francisco, in collaboration with choreographer Cherie Hill and Rebecca Fitton. Creation of Partial View was made possible by residencies at Montalvo Arts Center, Space 124, and Zaccho Dance Theater. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1739727428498-5IZNKVCZDIMSTSIAXCPP/image-asset.jpeg Works Collection - float the mark (2023) float the mark (2023) A long form improvised duet in response with Ranu Mukherjee’s dance floor drawing, this is a map of a mine in a forest/this is a drawing/this is a dance floor/this is a question/this is an invitation (2023), Karin pigment markers on marley 20 x 21 feet (detail), part of an exhibit at the Mills Arts Museum. Featuring Jay Carlon and Johnny Nguyen (pictured on Mukherjee’s floor). Press review of exhibit and performance at Mills Art Museum. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658019170396-RH9TE48UCH3D8BPQ9CNZ/0.jpeg Works Collection - Bacchae Before (2021) A dance theater project co-directed by Maxe Crandall (playwright) and Hope Mohr (choreographer) inspired by the tragedies of gender reveal parties and Anne Carson's Bakkhai. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658534826918-SA5LDLNDW098FG2QICV9/Courtesy+of+Danielle+Bourassa-Young.jpg Works Collection - Ensemble for Nonlinear Time (2021-2023) Since 2017, this cross-disciplinary collaboration between Hope and painter Ranu Mukherjee has included gallery activations, embodied storytelling workshops for immigrant and refugee artists, and museum performances. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1679069125686-3L8GCHX8LTT1511LJ5MO/image-asset.jpeg Works Collection - Horizon Stanzas (2023) inspired by Alice Notley’s feminist epic, “The Descent of Alette” Dancer Collaborators: Belinda He, Suzette Sagisi, Tegan Schwab-Alavi Choreography: Hope Mohr Text: Alice Notley, from The Descent of Alette Sound Design: Teddy Hulsker & Hope Mohr Lighting Design: Del Medoff Masks: Ella Noe Costumes: Tegan Schwab-Alavi Excerpts from The Descent of Alette by Alice Notley copyright 1992 by Alice Notley. Used by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved. The premiere of Horizon Stanzas was made possible through the support of the Zaccho Dance Theatre's Artist in Residency program, Bridge Live Arts, and generous individual donors. JEN NORRIS REVIEW INTERVIEW with Rachel Zucker on Commonplace Podcast https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744108091-59LZAUFXUKQDSLJC47UB/IMG_20180410_140001+copy.jpg Works Collection - Leaving the Atocha Station (2019) Inspired by Ben Lerner’s acclaimed novel, Leaving the Atocha Station, this new work of experimental dance theater premiered in the Bay Area January 24-27, 2019 at Southern Exposure and in L.A. at Highways Performance Space February 1 & 2. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744109124-EVVVX736WM9N0XVOO8GH/HopePolarized_226+copy.jpg Works Collection - extreme lyric I (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744117104-XND9O1UY9AWCZNW5DDHB/Suzette+on+floor+copy.jpg Works Collection - Collaboration with painter Liam Everett (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744115202-5OU3JMKSOBWFO04K9CS7/IMG-5668+copy.JPG Works Collection - Collaboration with sculptor Danae Mattes (2019-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744122666-R8A5DYC3DTAL87UYY47H/x+DSC06921+copy.jpg Works Collection - Collaboration with painter Tracy Taylor Grubbs (2010-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744115988-LI90XB0A711YV13AEEQS/Ritchie+Collaboration++copy.jpg Works Collection - Collaboration with painter Matthew Ritchie (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744097688-VFZEB6USIAIEOKRBCF7G/HopeMohr_353-Edit+copy.jpg Works Collection - Precarious (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744101465-0Z7VOX493LCBY06UKK6E/HopeMohr_Manifesting+copy.jpg Works Collection - Manifesting (2016) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428006293639-ZSPM2JWWQMW5V3AJYUFT/image-asset.jpeg Works Collection - Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569439128-XTCCPE4LSKWMKO4FYZOU/5J2A6645-Foto+by+Pak+Han.jpg Works Collection - Antigonick (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427844384722-K4Y3QLC6USGN3DNDPY4J/Postcard+Final.jpg Works Collection - The Material of Attention (2012-2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428944046713-YZUO2K28T2TJM4FX7XGL/20150413_095004.jpg Works Collection - minifesto (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744100255-4Y2LOXT6O0LG37BRT5BJ/HopeMohrBridge_150-1.jpg Works Collection - s(oft is)hard (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568623255-HYNA8N4IMPVBJABX62MV/HopeMohr_310-Edit.jpg Works Collection - Route 20 (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744075549-GHRX4C8F4HXKQ6BJZHUY/HopeMohr_292.jpg Works Collection - ridetherhythm (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744086462-AQUTQTTZGP9FDKJFLB6W/HopeMohr_597.jpg Works Collection - Notes Toward a Supreme Fiction (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1495918522693-7GP8G4GY9IE93X75XRUG/for+hope.jpg Works Collection - Collaboration with multimedia designer Rich DDT (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427309769696-VIM7LYOZP3EW7NJ2FYBQ/HopeMohr_663.jpg Works Collection - Failure of the Sign is the Sign (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744092985-ZXNRJ0NCML6DISFLF22C/HopeMohr_0718+copy.jpg Works Collection - Plainsong (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568485862-8Y91XXUGG6A9V552U00G/HopeMohr_0582.jpg Works Collection - Reluctant Light (2012) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568552034-GNLTLNCPB0FE9TO20IX0/HopeMohr_163.jpg Works Collection - The Unsayable (2011) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744067347-1BZJNCBRYF79D92XXNWA/DSC_0103+copy.jpg Works Collection - Far From Perfect (2010) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744072240-F0RM15WZ1RLG9XIPM406/DSC_0359+copy.jpg Works Collection - The Force that Drives the Flower (2009) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744073702-99JOJXLRZ7LWGWO1CQBD/Hope+Mohr%27s+Selection-3966+copy.jpg Works Collection - Under the Skin (2007-2008) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744074293-XPV8111OHG40JY19E9OI/DSC_1269+copy.jpg Works Collection - The Language of the Listening Body (2006) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658019134128-3ACBXOVA949FZ6ZMWARY/image-asset.jpeg Works Collection https://www.hopemohr.org/art-collection daily 0.75 2025-03-17 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739277179-52SKAYT1JN4CCZ8YZK55/Hope+Art+1.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739277179-52SKAYT1JN4CCZ8YZK55/Hope+Art+1.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739276827-7Q3NWEPNQZOXAFD5Y4TS/Hope+Art+2.jpg Art Collection https://static1.squarespace.com/static/550a1c94e4b0545b6579edde/62cf162a887f2d479e6aa4f7/62dde80ca05a4b674b335d89/1658710028993/ Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739149289-1STU3QNO3RW3RDC9CSSF/IMG_2528.jpeg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739377726-9ZWAJMAOUZLDUOIW16ZH/Hope+Art+5.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739380893-S8MQTHNIVBF2YM2L25UH/Hope+Art+6.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739381071-ZRWPTU7KV83ABSQSR06L/Hope+Art+7.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739385560-ODH1LFWZNCCD2USN542X/Hope+Art+9.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739387788-J436E39YVYQH2I07NMA5/Hope+Art+10.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659283317210-PLXZ75OAL219I6NN6434/Hope+Art+11.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659284082509-DM1C8SMY6HMHEYG0IIQX/image.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658893928196-HR6TFCGE849AG1LB2G4C/Hope+Art+13.jpg Art Collection https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659284173929-LZHNAOYJWQD3VVM0CTYY/image.jpg Art Collection https://www.hopemohr.org/home daily 1.0 2023-11-24 https://www.hopemohr.org/creating daily 0.75 2025-10-23 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/011ee612-f30d-417f-81ad-ea84c5336094/Music+for+ravens.jpg Choreography/Direction - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/69ab1534-c35f-4eed-a0a2-3041dfb280c7/RB1.jpeg Choreography/Direction - Make it stand out Dancers Rosemary Hannon (up) and Belinda He (down) practicing Partial View, a long-form contact improvisation duet exploring the somatics and performance of partnering. Partial View invites the audience into co-directing the score alongside the performers. Read more about the work HERE. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1673237078203-XVWN9C9798HV23P8FPPZ/Bachae+Before.jpeg Choreography/Direction - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1753145031749-W9144ONP0N4TWR2RFBCO/image-asset.jpeg Choreography/Direction - care/stamina (2025) Hosted by BOXBLUR at Catharine Clark Gallery, care/stamina is a performance installation and a slow-moving sculpture in which two dancers share weight, touch, vulnerability, and stillness. Directed by Hope Mohr in collaboration with dancers Karla Quintero and Melissa Lewis Wong and sound artist Zachary James Watkins, care/stamina is performed within the exhibition of work by Arleene Correa Valencia titled Codice del Perdedor/The Losing Man’s Codex at the Catharine Clark Gallery. In the words of artist Arleene Correa Valencia: "I love the idea of having to work together to hold each other. My work is very much about the balance between visibility and invisibility. I think a lot about ways in which we carry each other even when the other isn’t visible or present. The bodies fight to exist together and apart. " In the words of choreographer Hope Mohr: "This work offers an embodied expression of care as a stamina practice. This can look like a sustained difficult hold, a walk holding hands, or humming into someone's ear. There are so many different ways to touch another person. Touch can be a form of sanctuary. Inside this sanctuary, so much is possible." Image: Karla Quintero and Melissa Lewis Wong in care/stamina. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1753145751504-J0MA7N4VQJRUHEI17F15/image-asset.jpeg Choreography/Direction - score for transitional times (2025) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1711496220772-D1IKSZK37UTJ89IC1HCT/image-asset.jpeg Choreography/Direction - Partial View (2024) A co-creation with dancers Rosemary Hannon and Belinda He, Partial View is a long-form contact improvisation duet exploring the somatics and performance of partnering. Partial View invites the audience into co-directing the score alongside the performers to explore the following questions through movement: What does it mean to direct time? How do different qualities of touch influence weight sharing? As a performer, how do you invite an audience into emotional landscape? What does “theater” mean in the context of contact improvisation? How do you perform an ongoing process? Partial View was presented by Bridge Live Arts March 22-24, 2024, as part of Experiments in Motion at Space 124 in San Francisco, in collaboration with choreographer Cherie Hill and Rebecca Fitton. Creation of Partial View was made possible by residencies at Montalvo Arts Center, Space 124, and Zaccho Dance Theater. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1739727428498-5IZNKVCZDIMSTSIAXCPP/image-asset.jpeg Choreography/Direction - float the mark (2023) float the mark (2023) A long form improvised duet in response with Ranu Mukherjee’s dance floor drawing, this is a map of a mine in a forest/this is a drawing/this is a dance floor/this is a question/this is an invitation (2023), Karin pigment markers on marley 20 x 21 feet (detail), part of an exhibit at the Mills Arts Museum. Featuring Jay Carlon and Johnny Nguyen (pictured on Mukherjee’s floor). Press review of exhibit and performance at Mills Art Museum. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658019170396-RH9TE48UCH3D8BPQ9CNZ/0.jpeg Choreography/Direction - Bacchae Before (2021) A dance theater project co-directed by Maxe Crandall (playwright) and Hope Mohr (choreographer) inspired by the tragedies of gender reveal parties and Anne Carson's Bakkhai. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658534826918-SA5LDLNDW098FG2QICV9/Courtesy+of+Danielle+Bourassa-Young.jpg Choreography/Direction - Ensemble for Nonlinear Time (2021-2023) Since 2017, this cross-disciplinary collaboration between Hope and painter Ranu Mukherjee has included gallery activations, embodied storytelling workshops for immigrant and refugee artists, and museum performances. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1679069125686-3L8GCHX8LTT1511LJ5MO/image-asset.jpeg Choreography/Direction - Horizon Stanzas (2023) inspired by Alice Notley’s feminist epic, “The Descent of Alette” Dancer Collaborators: Belinda He, Suzette Sagisi, Tegan Schwab-Alavi Choreography: Hope Mohr Text: Alice Notley, from The Descent of Alette Sound Design: Teddy Hulsker & Hope Mohr Lighting Design: Del Medoff Masks: Ella Noe Costumes: Tegan Schwab-Alavi Excerpts from The Descent of Alette by Alice Notley copyright 1992 by Alice Notley. Used by permission of Penguin Books, an imprint of Penguin Publishing Group, a division of Penguin Random House LLC. All rights reserved. The premiere of Horizon Stanzas was made possible through the support of the Zaccho Dance Theatre's Artist in Residency program, Bridge Live Arts, and generous individual donors. JEN NORRIS REVIEW INTERVIEW with Rachel Zucker on Commonplace Podcast https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744108091-59LZAUFXUKQDSLJC47UB/IMG_20180410_140001+copy.jpg Choreography/Direction - Leaving the Atocha Station (2019) Inspired by Ben Lerner’s acclaimed novel, Leaving the Atocha Station, this new work of experimental dance theater premiered in the Bay Area January 24-27, 2019 at Southern Exposure and in L.A. at Highways Performance Space February 1 & 2. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744109124-EVVVX736WM9N0XVOO8GH/HopePolarized_226+copy.jpg Choreography/Direction - extreme lyric I (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744117104-XND9O1UY9AWCZNW5DDHB/Suzette+on+floor+copy.jpg Choreography/Direction - Collaboration with painter Liam Everett (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744115202-5OU3JMKSOBWFO04K9CS7/IMG-5668+copy.JPG Choreography/Direction - Collaboration with sculptor Danae Mattes (2019-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744122666-R8A5DYC3DTAL87UYY47H/x+DSC06921+copy.jpg Choreography/Direction - Collaboration with painter Tracy Taylor Grubbs (2010-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744115988-LI90XB0A711YV13AEEQS/Ritchie+Collaboration++copy.jpg Choreography/Direction - Collaboration with painter Matthew Ritchie (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744097688-VFZEB6USIAIEOKRBCF7G/HopeMohr_353-Edit+copy.jpg Choreography/Direction - Precarious (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744101465-0Z7VOX493LCBY06UKK6E/HopeMohr_Manifesting+copy.jpg Choreography/Direction - Manifesting (2016) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428006293639-ZSPM2JWWQMW5V3AJYUFT/image-asset.jpeg Choreography/Direction - Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569439128-XTCCPE4LSKWMKO4FYZOU/5J2A6645-Foto+by+Pak+Han.jpg Choreography/Direction - Antigonick (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427844384722-K4Y3QLC6USGN3DNDPY4J/Postcard+Final.jpg Choreography/Direction - The Material of Attention (2012-2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428944046713-YZUO2K28T2TJM4FX7XGL/20150413_095004.jpg Choreography/Direction - minifesto (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744100255-4Y2LOXT6O0LG37BRT5BJ/HopeMohrBridge_150-1.jpg Choreography/Direction - s(oft is)hard (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568623255-HYNA8N4IMPVBJABX62MV/HopeMohr_310-Edit.jpg Choreography/Direction - Route 20 (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744075549-GHRX4C8F4HXKQ6BJZHUY/HopeMohr_292.jpg Choreography/Direction - ridetherhythm (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744086462-AQUTQTTZGP9FDKJFLB6W/HopeMohr_597.jpg Choreography/Direction - Notes Toward a Supreme Fiction (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1495918522693-7GP8G4GY9IE93X75XRUG/for+hope.jpg Choreography/Direction - Collaboration with multimedia designer Rich DDT (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427309769696-VIM7LYOZP3EW7NJ2FYBQ/HopeMohr_663.jpg Choreography/Direction - Failure of the Sign is the Sign (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744092985-ZXNRJ0NCML6DISFLF22C/HopeMohr_0718+copy.jpg Choreography/Direction - Plainsong (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568485862-8Y91XXUGG6A9V552U00G/HopeMohr_0582.jpg Choreography/Direction - Reluctant Light (2012) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568552034-GNLTLNCPB0FE9TO20IX0/HopeMohr_163.jpg Choreography/Direction - The Unsayable (2011) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744067347-1BZJNCBRYF79D92XXNWA/DSC_0103+copy.jpg Choreography/Direction - Far From Perfect (2010) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744072240-F0RM15WZ1RLG9XIPM406/DSC_0359+copy.jpg Choreography/Direction - The Force that Drives the Flower (2009) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744073702-99JOJXLRZ7LWGWO1CQBD/Hope+Mohr%27s+Selection-3966+copy.jpg Choreography/Direction - Under the Skin (2007-2008) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657744074293-XPV8111OHG40JY19E9OI/DSC_1269+copy.jpg Choreography/Direction - The Language of the Listening Body (2006) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658019134128-3ACBXOVA949FZ6ZMWARY/image-asset.jpeg Choreography/Direction https://www.hopemohr.org/performance-history daily 0.75 2025-07-22 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428906723537-Y4OZR4J25HF0B9QC5ITC/D71_0158xa.jpg Program History https://www.hopemohr.org/calendar daily 0.75 2019-02-28 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1548341026832-L6Q9RGCW4TTU6NUV9S3Z/DSC03323.jpg Upcoming https://www.hopemohr.org/donate daily 0.75 2025-09-22 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1600130086225-PW7246DI2E9VXBK94X2K/HGoidell-02_1143.jpg Support and Connect 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https://www.hopemohr.org/soft-is-hard daily 0.75 2015-04-12 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569156300-S839OYNJ41MC7GUDWNTE/HopeMohrBridge_150-1.jpg s(oft is) hard https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569156250-NYJUHNVSSY7UTFKR6FON/HopeMohrBridge_157.jpg s(oft is) hard https://www.hopemohr.org/route-20 daily 0.75 2015-04-08 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568616677-91PAH0Y2B98GQV4KM1P5/HopeMohr_242.jpg Route 20 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568616847-3XORNTLURSX6BLT5KPUZ/HopeMohr_253-Edit.jpg Route 20 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568634370-OELQXCM9UEYD7W8XQGH2/HopeMohr_270-Edit-4.lighter.jpg Route 20 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427568623255-HYNA8N4IMPVBJABX62MV/HopeMohr_310-Edit.jpg Route 20 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https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1616898863455-JYRV18WTS1BO1KDYGDMO/HopeMohr_0287-Edit+-+Copy.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569312055-LHKTXV1BCOI38N72S7VZ/HopeMohr_0152-Edit.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1435870434140-A8LMEONBVBVGS1XTDH37/HopeMohrODC_102.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569313616-OZCRF0HWS6BQST9V23XT/HopeMohr_0287-Edit+-+Copy.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1435870434873-UVWZFZHDFADK3VKED1NP/HopeMohrODC_147.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569333718-QU6FUPII4DBIYBYA9WSM/HopeMohr_0420.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1435870453653-KKWW7N6MRYQ4UART1CZU/HopeMohrODC_364.jpg Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428269694656-I69BQK2RGY5EICTOR9XO/HopeMohr_0341-Edit.jpg Stay (2015) https://www.hopemohr.org/press daily 0.75 2023-08-28 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1602888323250-LUCU2U8ULD4FGZIFXB99/DSC03649.jpg Press https://www.hopemohr.org/the-force-that-drives-the-flower daily 0.75 2015-04-08 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427760334850-MH7ZT5DX3NP18BS6HG9K/DSC_0363.JPG The Force that Drives the Flower https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427760332432-HUN6D80F76DAKQD4JZFJ/DSC_0359+copy.jpg The Force that Drives the Flower https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427760337320-TQEL524IP4A78YQ9XMAF/DSC_0321.JPG The Force that Drives the Flower https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427760339319-HW392R8VSRNSAEPAR8C9/DSC_0115.JPG The Force that Drives the Flower https://www.hopemohr.org/under-the-skin daily 0.75 2015-04-13 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428008610435-RVPNQQHIEQBP11AUQ7KI/Hope+Mohr%27s+Selection-3831.jpg Under the Skin https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428008610536-8WUD1FSY6G6SXR3SHQSY/Hope+Mohr%27s+Selection-3966.jpg Under the Skin https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428008611397-D8NUGBTR1JC6EN5GMHAW/Hope+Mohr%27s+Selection-7547.jpg Under the Skin https://www.hopemohr.org/the-language-of-the-listening-body daily 0.75 2016-02-18 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428642194528-8MFL0STJXQG4MOCDX430/DSC_1269.jpg The Language of the Listening Body https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428642215450-8TWZX9HNJSUCD5CM7LFH/DSC_1266.jpg The Language of the Listening Body https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428642254927-6FOR4IC6J61BZ7MDFRVX/DSC_1232.jpg The Language of the Listening Body https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428642294534-IJ6WXT93BWV9JBQ95C2J/DSC_1218.jpg The Language of the Listening Body https://www.hopemohr.org/complete-list-of-works daily 0.75 2025-07-22 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428175423749-N1LFNWCIZKSVH070GIQ0/HMD+ridetherhythm+8-57.png Complete list of Works https://www.hopemohr.org/teaching daily 0.75 2025-10-03 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427844384722-K4Y3QLC6USGN3DNDPY4J/Postcard+Final.jpg Teaching https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/d230b7d0-3dbd-4436-980b-6f311bb20885/Belinda+with+stick.jpeg Teaching - Creative Movement Tailored for specific communities, these creative movement workshops are a gentle, accessible, healing way for all kinds of people to access the joy of movement. I have taught creative movement in many different contexts, including with military veterans (in partnership with Palo Alto Veterans Affairs); breast cancer patients (in partnership with Breast Cancer Connections and California Cancer Care); immigrants and refugees (in partnerships with ARTogether and 18th Street Arts Center); and professional actors (on faculty at the American Conservatory Theater’s MFA program). At left: Dancer Belinda He in creative process. Used with artist permission. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/041da8c8-d696-4ff9-93a8-4d00eeb34daa/ICONS-46.png Teaching - The Embodied Mark A cross-disciplinary practice combining movement research, markmaking, and improvisation. Participants navigate between movement and markmaking through a series of prompts and investigations into sensation, intuition, and response to specific visual arts materials (charcoal, pencil, ink) and a variety of unusual markmaking tools. This class in informed by my own visual art practice and my many collaborations with visual artists including Tracy Taylor Grubbs, Ranu Mukherjee, Matthew Ritchie, and Liam Everett. At left: Pen and ink drawing by Hope Mohr. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/4b014686-db3a-482e-a071-99b2a2d81267/HM+photo.jpg Teaching - Contemporary Technique In this class, we practice fundamental movement pathways with a value on research, sensation, and specificity. Influences include training and performance in white modern and post-modern lineages (Trisha Brown, Lucinda Childs, Merce Cunningham) and decades facilitating improvisational practice and creating cross-disciplinary performance. I have taught at PARTS (Brussels), The Place (London), Trisha Brown Dance Studio, ODC, Stanford University, Lines Ballet BFA Program, American Conservatory Theater MFA program, Peabody Conservatory, UCLA, and Shawl-Anderson, among others. https://www.hopemohr.org/manifesting daily 0.75 2019-09-18 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1465248457221-XXZB8GVMACDNSGIWNCFU/Bear+and+Stag+%28Refined%29_Andrew+Weeks.jpg Manifesting https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1465871866253-0QDYJLHL5ZJRYMGOK31B/HopeMohr_0314.jpg Manifesting https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1465871867867-N6XCLLKKLOG42GZ6QGXH/HopeMohr_0462.jpg Manifesting https://www.hopemohr.org/2014-bridge-project daily 0.75 2022-10-19 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477335126376-NPFYRQUDOMVZAA3UQ3HN/HopeMohrBridge_129.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278579391-950L1XQ24GJSKQTGDROF/HopeMohrBridge_150-1.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278578669-2N5W5RJZ1FLJ36VEQXO6/HopeMohrBridge_195.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278575568-51H0TODRVUAXPO1Y3OR8/Anna+Halprin+by+Margo+Moritz.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477335114375-862I8FNTA35SSL3DUHBF/2014+Bridge+Project+workshop+participants+doing+Simone+Forti%27s+Huddle+Score.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278586485-9O2FN1VEFCHV4303YZ2W/Simone+Forti+-+Photo+by+Jason+Underhill.JPG 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278580568-KEQAQVNPYCTQK7S4VXBZ/Peiling+Kao+in+Mohr%27s+s%28oft+is%29hard+by+Margo+Moritz.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1498958222192-MDCXF2I8ZA7ARHM95K0D/LC+Michael+O%27Neill.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278581923-0TKLLAAAMA8GYL8NTDDF/Simone+Forti+by+Margo+Moritz.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477278577608-Y2IZH9KB2DN8G37VXYCF/Anna+Halprin+-+Photo+by+Kent+Reno.jpg 2014 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477335115291-MFI1VRSTLQ40M1UPKK9S/photo.JPG 2014 Bridge Project https://www.hopemohr.org/2016-bridge-project daily 0.75 2023-09-17 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250027477-UB340N6VRQJE5S27MLW7/Larry4.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250162072-YBUB1M91LA3ON84T9UCT/HopeMohr_1106.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250042673-C9LM9GAI2VL2MB3EBI1W/CherylLeonard_MargoMoritz.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250130384-ACMX8PGZH3OFUGATETCS/HopeMohr_1198.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250185822-HQAAEF1KCWIACJATW1O3/HopeMohr_1055.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250261215-J8B3BT6P2CT985SV7WU1/AmyFoote_MargoMoritz.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250104067-LQD373PLE9ZHTV6A6T7H/HopeMohr_1161.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250115774-644HASMU98BOOTVXFOMO/SarahChenoweth_MargoMoritz.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250236658-TWLVYGUF023ILK552BOT/HopeMohr_1017.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250218660-13XEQOWY3B89TINMM5O4/HopeMohr_0921.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250171658-O3KIT70RW4H61TS3D932/HopeMohr_1095.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250267983-4RYWB50C1W2VS89FMN3Z/AffinityProject_MargoMoritz.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477250714841-T1UG9W428D673EWFLUMU/GregDawson2_MargoMoritz.jpg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477247775073-XEHQX17H2C48FRPHZW7W/image-asset.jpeg 2016 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1479488317524-VFU7VHLJHQTABMBK1U0L/image-asset.png 2016 Bridge Project Participants in the 2017 Bridge Project at the end of Ten Artists Respond to Locus. https://www.hopemohr.org/2015-bridge-project daily 0.75 2022-10-19 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477415542133-C66KMGAOC80CZRC03MVX/_D3X0092.jpg 2015 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477411768455-9FIRFA6SFBAFQHI69DC1/Durning+workshop+circle.jpg 2015 Bridge Project - Jeanine Durning's Workshop, "what we do when we do the thing we do before we know what we are doing" https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477415538155-UXX9W752G8M4I906P7NZ/_D3X0177.jpg 2015 Bridge Project https://www.hopemohr.org/precarious daily 0.75 2023-11-02 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1486476675434-ECMGOFQUA0X3MH3DCJ8X/HopeMohr_353-Edit.jpg Precarious https://www.hopemohr.org/2017-press-release daily 0.75 2017-04-12 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1486915865683-Y8L9NI70S8TIUAPZ8DYF/HopeMohr_353-Edit.jpg 2017 Press Release Hope Mohr Dance developing Precarious. Photo by Margo Moritz. https://www.hopemohr.org/2017-bridge-project daily 0.75 2023-10-18 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1513111971207-8MSKC4MU77KGY05WOPV3/TriptychSmeared.NEW.IP1.72dpi.jpg 2017 Bridge Project Photo credit (L to R): Maryam Rostami by Robbie Sweeney, boychild by Matthew Stone, and Lisa Evans by Sonjai Megette https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1513112933025-ZX678U4STDW9J256S6C0/JenkinsonButler10.jpg 2017 Bridge Project Monique Jenkinson holds Judith Butler's head in their premiere of Ordinary Practices of the Radical Body. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1513113004914-DYUUO5A15NXUGTUA0X88/Hope+Mohr+4.jpg 2017 Bridge Project Lisa Evans in the premiere of How I Got to Femme https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1513113045753-N4A800BQZUU53C8GXUGZ/Hope+Mohr+1.jpg 2017 Bridge Project Maryam Rostami in the premiere of 1396 https://www.hopemohr.org/aphasia daily 0.75 2017-05-27 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1495918522693-7GP8G4GY9IE93X75XRUG/for+hope.jpg Aphasia https://www.hopemohr.org/mukherjee daily 0.75 2025-06-16 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/82a4dc63-b7e5-40f8-b37d-c2c95174183f/1.jpg Now not Now - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/56d8837e-f5a8-4625-a014-a405e71e316a/IMG_1720.jpeg Now not Now - Make it stand out Participating artists in creative process for Ensemble for Nonlinear Time explore drawing and dancing in conversation. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1523562208375-HVDZB5QTYDP51MPHLJ5W/Long+view.JPG Now not Now Dancers Jane Selna and Suzette Sagisi at the di Rosa Center for Contemporary Art. These trees burned in the Sonoma fires of 2017. Photo courtesy of Ranu Mukherjee. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1523562261380-Q213IUWV3Y9OPTFGZOMQ/Courtesy+of+Danielle+Bourassa-Young.jpg Now not Now Dancers Karla Quintero and Suzette Sagisi at Gallery Wendi Norris, with paintings by Ranu Mukherjee. Photo courtesy of Danielle Bourassa-Young. https://www.hopemohr.org/minifesto daily 0.75 2017-07-30 https://www.hopemohr.org/bridge-project-audience-reader daily 0.75 2022-08-12 https://www.hopemohr.org/collaboration-with-painter-liam-everett daily 0.75 2022-12-29 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1508333957763-DQSHR6GKILEO0OPIIDB7/Suzette+on+floor.jpg Collaboration with painter Liam Everett https://www.hopemohr.org/curating daily 0.75 2024-09-21 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1516636246819-BXWU5VCWF7IKTASNI8O5/JenkinsonButler10.jpg Curating https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1536889009392-P2OPKEQM29KFZJD8X98P/Peterich_MC.jpg Curating Signals from the West: Bay Area Artists in Conversation with Merce Cunningham at 100Curated as part of HMD’s The Bridge Project (2019) Photo of Merce Cunningham by Gerda Peterich https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1519915725431-5XSB6H8EDBPX951YEEUS/WMC_NettaYerushalmy-1310698-56-2.jpg Curating Paramodernities A Series of Dance Experiments Led by Artist Netta Yerushalmy Curated as part of HMD’s The Bridge Project (2018). Photo by Caterina Verde https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1514562588413-9SXIF7XBC3NKXNRU9HXF/TriptychSmeared.NEW.IP1.jpg Curating Radical Movements: Gender and Politics in Performance Curated as part of HMD’s The Bridge Project (2017) Photo credit (L to R): Maryam Rostami by Robbie Sweeney, boychild by Matthew Stone, and Lisa Evans by Sonjai Megette https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477247990412-VPX3Z0FVHWVRF7LB0UO2/Copy+of+Trisha+Brown_LoisGreenfield-+Copy.jpg Curating - Bridge Project 2016: Ten Artists Respond to Locus a multidisciplinary exchange inspired by dance pioneer Trisha Brown Photo of Trisha Brown by Lois Greenfield Ten Artists Respond to Locus A Multidisciplinary Exchange Inspired by Dance Pioneer Trisha Brown Curated as part of HMD’s The Bridge Project (2016) Photo of Trisha Brown by Lois Greenfield https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477270207540-OXIGBL2H1SY3BMTSHM26/_D3X0092.jpg Curating Rewriting Dance: an exploration of the intersection between language and choreographic thinking featuring Deborah Hay, Jeanine Durning and Alva Noe Curated as part of HMD’s The Bridge Project (2016) Photo of Jeanine Durning by Ian Douglas https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1477270370627-7KEXCHN20B3EINBI8AYV/HopeMohrBridge_023.jpg Curating Have We Come a Long Way, Baby? An intergenerational celebration of female postmodern choreographers featuring Anna Halprin, Simone Forti, and Lucinda Childs Curated as part of HMD’s The Bridge Project (2014). 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https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576520366234-GV3S9Q55HGA1PP1NKWMB/HGoidell-43_8778.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576520352373-OEN338MK722QV6HB994K/HGoidell-45_8797.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576520408160-EWFHJ6NKJJ9ZARODPVV1/HGoidell-46_8801.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576520404419-HMTGEHID2PSLAJ6F692N/HGoidell-48_8841.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541716241965-I5B49G4LBMYUFH2P75W9/HMD.2019.Headshots.jpg 2019 Bridge Project Commissioned artists, from top left: Maxe Crandall, Julie Moon, Dazaun Soleyn, Sofia Cordova, Christy Funsch, Sophia Wang, Nicole Peisl, Alex Escalante, Danishta Rivero, Jenny Odell 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https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732094905-PFIR7GB33Z3S6Z63DAPD/HGoidell-61_2787.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732104943-FTKA945JMWLAGBMYYA1Z/HGoidell-72_1639.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732199234-TSKD8RAYB7WOBVLF3VZB/HGoidell-80_1656+%281%29.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732116657-154NUHL31263U46538XK/HGoidell-108_1822.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732129721-0179KDU51PQL1YKUANNR/HGoidell-115_1831.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732135289-DXYHJVKC0VUFTYLTSMFZ/HGoidell-119_1842.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732143188-3V1UX0Y2TOSRFA5PB5OP/HGoidell-146_2005.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732153910-HSQ2OCDIK77FBE7SSD0W/HGoidell-161_2109.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732165148-ZBXOJ5H378IWCMU34256/HGoidell-166_2122.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732173924-G40MDFXL9PXCXFB5H6UK/HGoidell-170_2130.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732246831-QMIBIRS20U1N9XO7UASS/HGoidell-214_2323.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732209738-NHNHAFFHWXVKYP1EPX8H/HGoidell-223_2362.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732215966-VIBZ1HAHYY6IV2ZGR8AE/HGoidell-228_2971.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732225556-694FVCBKJP4YAO3PEN3B/HGoidell-235_2394.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1567732235882-9B89O432UIGO6ENDIN5X/HGoidell-243_2420.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576633758128-94RHTQWUGMIV0CH6LF2S/IMG_20190813_112204.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576633758065-CBJ3YORWFJYCY92TQJSK/IMG_20190819_141950.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1576633762768-UHGY35LLB4GERCGIFZED/IMG_20190823_140128.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1557167679777-BCK5V256MU4B4CO7DQ0X/HMD_InheritedBodies_ArtistCollage.jpg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1552504702381-FQFURYCXAEE6LX49CW79/flaunt1.jpeg 2019 Bridge Project Photo by Tetsu Kubota. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549634807314-VTONKBR2UOMR9ROVHZX6/JPEG_SIGNATURE-BLACK-TAGLINE.jpeg 2019 Bridge Project https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549732477187-D5SSDHQ52VIAL2HWM8MT/image-asset.jpeg 2019 Bridge Project https://www.hopemohr.org/leaving-the-atocha-station daily 0.75 2019-03-01 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1540520461698-3QT6S0OPLJS43GY5K7YH/IMG_20180410_140001.jpg Leaving the Atocha Station Pictured here: Wiley Naman Strasser and Christian Burns in rehearsal. https://www.hopemohr.org/collaboration-with-painter-matthew-ritchie daily 0.75 2022-12-29 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431880813-QQZWBAIVCZB180AXJ7GZ/NBaker_MCA_181027_3541.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431880737-11CRZM9IHS50OV1AQR65/NBaker_MCA_181027_3584.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431886328-BW2FGYS7W1YCD9E2FU5D/NBaker_MCA_181027_3600.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431886341-YQDO5PH1CEM1K1S947ZQ/NBaker_MCA_181027_3617.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431891592-Y0P72VPJKTMO2OALN6D4/NBaker_MCA_181027_3619.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431892073-N8JLDTCLWFDXKVW8L3QI/NBaker_MCA_181027_3639.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431895635-0FT00GYD465AB2HDM3PX/NBaker_MCA_181027_3650.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431899265-V9DQECRPN7J1F39RHEYT/NBaker_MCA_181027_3652.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431902177-4OL9G1NVROJH2K887BL7/NBaker_MCA_181027_3661.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431904734-93WVJIUMIHBGQAYE66N4/NBaker_MCA_181027_3672.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431906367-I2BJ2P5DFTYUW5Q790VW/NBaker_MCA_181027_3725.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1541431907793-1KFN7V0C5T2582HRRLQ3/NBaker_MCA_181027_3731.jpg Collaboration with painter Matthew Ritchie https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1540520741247-ZSOZKC2E2UP53D8KOQQ7/Ritchie+Collaboration+.jpg Collaboration with painter Matthew Ritchie https://www.hopemohr.org/merce-reader daily 0.75 2022-08-12 https://www.hopemohr.org/collaboration-with-visual-artist-danae-mattes-and-composer-henry-threadgill daily 0.75 2024-03-26 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/8b1672c8-0330-4f72-921f-e47340c34e57/Intertwine.jpeg Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill - Make it stand out Dancers Belinda He and Tegan Schwab-Alavi practicing Intertwine at the di Rosa Center for Contemporary Art in Sonoma, California, a collaboration with Lightfast and sfSound. Evaporation pool by Danae Mattes; cut drawing by Danae Mattes and Christel Dillbohner. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1544196289256-ZCS2R8K7G2E2B0OCV84V/IMG-5668.JPG Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1544196473097-ADZMKRIQX75RLR58GZGK/IMG-5715.PNG Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/eb1fdf60-5448-427b-a6a7-47a6a16b9aad/Karla+in+dust.jpeg Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/c15fe2ef-a15c-4729-ac3e-1ce219320bcc/embrace.jpeg Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill - Make it stand out Dancers Karla Quintero and Jane Selna. Photo by Danae Mattes. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/baebc6b9-bbc2-45e6-baea-ab1b81e3aeaa/B+in+pool.jpeg Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/647ec92a-64e1-47d1-8950-c7ff3585d527/trio1.jpeg Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill - Make it stand out Dancers Jane Selna, Belinda He, and Karla Quintero with a sculpture by Danae Mattes. Photo by Danae Mattes. https://www.hopemohr.org/institutional-support daily 0.75 2020-11-28 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636673102-3Q77MPS2SOZJXT39HFDX/CAClogo_stackedRGB.jpg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549730906133-ASYQJBN08LP9RQL8N01P/2018-Horizontal-Logo-with-url2.jpg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636759380-25XXC0097TSCT3XK6YI9/image-asset.jpeg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636782258-82E3ZX4AO6374UNUQXUB/sfac-logo-main-vert.jpg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636714186-08CKVZGKR2SLDAOUYH4M/Copy+of+honig+logo.jpg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636683854-98ITG227N988WW4AMXUW/CCI+Cropped+Logo.jpg Institutional Support https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1549636732776-WGOCJLC2AJ6TXF0S7MJQ/GFTA_Logo_CMYK.jpg Institutional Support https://www.hopemohr.org/covid19 daily 0.75 2020-04-06 https://www.hopemohr.org/powershift daily 0.75 2022-10-19 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1598325193760-32SRPW9B3IAS0FGND5MS/BP2020_Collage_WebSite_Final.jpg 2020 Bridge Project - Power shift Photo Power Shift artists and activists (L to R, by row) Row 1 - QTBIPOC Performing Artist Hive, Byb Chanel Bibene, Nigel Campbell, Sherwood Chen, Yalini Dream; Row 2 - Rosemary Hannon, Tammy Johnson, Liz Lerman, Paloma McGregor, Amy Miller,; Row 3 - Hope Mohr, Maurice Moore, Ranu Mukherjee, Onye Ozuzu; Jarrel Phillips Row 4 - randy reyes, Judith Sánchez Ruíz, Beatrice Thomas. https://www.hopemohr.org/test-for-slide-deck daily 0.75 2020-11-23 https://www.hopemohr.org/shifting-culture-power-case-studies-and-questions-in-performance daily 0.75 2023-05-29 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1615763789290-7HTHH3452QM4F89METAI/NCCA+cover_rev2.jpg Shifting Cultural Power: Case Studies and Questions in Performance https://www.hopemohr.org/bacchae daily 0.75 2021-10-18 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1632943376625-34J1QP23J7C8Q3656EZE/A9_00516.jpg Bacchae Before - Make it stand out Wiley Naman Strasser and Belinda He in Bacchae Before. Photo by Robbie Sweeny. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1632942865729-G2RQR4HJCJYKO2B3WYC2/A9_00238.jpg Bacchae Before - Make it stand out Silk Worm as Dionysus. Photo by Robbie Sweeny. Read an Essay by Silk Worm, on playing Dionysus, on SFMOMA’s Open Space https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1632951086021-V3P2LD10U6T52YBDVMCK/A9_00407.jpg Bacchae Before - Make it stand out Karla Quintero in Bacchae Before. Photo by Robbie Sweeny. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1632943161730-3N63YP5P2ARBKVFH1W3N/A9_00325.jpg Bacchae Before - Make it stand out Silk Worm and Wiley Naman Strasser in Bacchae Before. Photo by Robbie Sweeny. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1633644651786-MHUKJ3XAJBHIOB1RSIU2/SFTFF_2021_laurelsofficial_reverse+out.png Bacchae Before - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hopemohr.org/visual-art daily 0.75 2025-03-16 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/d94f8242-ea28-47b7-b223-b4ad5d77e9fd/Music+for+ravens.jpg Visual Art - Make it stand out Three minutes (2024) Pastel, felt, and acrylic on muslin 69” x 69” Part of “scores for transitional times,” a collaboration with Ranu Mukherjee. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/7cae581b-d090-4aef-9b96-101c6d0ea776/feminist+conundrum+%28suspended+animation%29.jpg Visual Art - Make it stand out feminist conundrum (suspended animation) (2024) 3’ x 3’ felt, vinyl, paper, ink, applique thread, wire, polyester stuffing https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/9263c4b6-f1d5-4a19-9464-10a29c7a0190/ragesing.png Visual Art - Make it stand out ragesing (2021) (diptych) 3’ x 6’ ink on paper https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/81bd027f-617d-42ac-aaba-592d675419ed/soft+and+gold%2C+flat+and+folded.jpg Visual Art - Make it stand out soft and gold (flat and folded) (2024) (diptych) 3’ x 7’ felt, faux leather, rubber tubing, applique thread, pins https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/e3332c5b-f172-4e29-b145-a775e96995da/Intershes.jpg Visual Art - Make it stand out Intershes (2024) 1’ x 3’ felt and applique thread on felt https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/a1b5851d-e4d7-434a-a617-49b3e3a11e5f/soft+and+gold.jpeg Visual Art - Make it stand out soft and gold with pins (2024) 2’ x 2’ felt and applique thread on felt https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/ab3b12b8-bab0-481b-b2ca-f338a74d182c/satin+performance.jpg Visual Art - Make it stand out satin performance (2023) 3’ x 3’ tulle, satin, felt, applique thread on felt https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659283317210-PLXZ75OAL219I6NN6434/Hope%2BArt%2B11.jpg Visual Art - Make it stand out Feminist archive, necessarily fractured, pen and ink on paper, 22" x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/2264ac75-1e12-4c60-a847-6aff98f407b4/the+wife.jpg Visual Art - Make it stand out the wife (2023) 3’ x 2’ tulle, felt, wire, paper, ink on fake leather https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/efa8776a-0bc1-4987-97fe-fa8111dccdaa/insomniacs.jpg Visual Art - Make it stand out sapphic insomniacs (2024) dimensions variable tulle, applique thread, embroidery hoops https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/dd288988-a8f2-417d-8c4d-7c27dba5a79b/Fleshpoem.jpeg Visual Art - Make it stand out FLESHPOEM (2024) 3’ x 3’ applique on felt https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/aafcba22-d6d5-41ba-a54b-7a2841bae36b/IMG_5840.jpeg Visual Art - Make it stand out making up for lost time (2024), applique on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/981208bd-d5b5-4ab5-adc5-a88eb7ea1c57/IMG_5922.jpeg Visual Art - Make it stand out reveal (2024), applique on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658709599213-WPH83NL6OUHWKPOOOZCE/Hope%2BArt%2B4.jpg Visual Art - Make it stand out From the series Horizon stanzas, pen and ink on paper, 11" x 15" https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739387788-J436E39YVYQH2I07NMA5/Hope+Art+10.jpg Visual Art - Make it stand out From the series Horizon Stanzas, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/9b94f271-f544-4dc7-ba56-21f4aafd051e/IMG_3052.jpeg Visual Art - Make it stand out how to hold a body (2021) pen and ink on paper, 11" x 15" https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739385989-C21Q7WDR94FA8231JT01/Hope+Art+8.jpg Visual Art - Make it stand out Gathering, pen and ink on paper, 11" x 15" https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739377726-9ZWAJMAOUZLDUOIW16ZH/Hope+Art+5.jpg Visual Art - Make it stand out From the series Rehearsal notebooks, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/78e0f93b-7d79-4109-b1d1-8838e467190c/wifey.jpeg Visual Art - Make it stand out wifey, pen, oilstick, and ink on paper, 22” x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/4cf2ced8-d2b4-49b2-b9bb-17580d91a952/Jane+and+Karla.jpeg Visual Art - Make it stand out In the mud, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/8772c9a3-c473-49c0-aeb3-937643a0ab9e/horizon+stanza+2.jpeg Visual Art - Make it stand out Horizon stanza, seen again, pen and ink on paper, 22" x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1658023551274-IPAV0MKUR4JG02VA5FBE/Ensemble+1.jpg Visual Art - Make it stand out everything is music, pen and watercolor on paper, 22” x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/3fe856a7-fef7-4653-a485-d1e89ce344a4/IMG-3615.jpeg Visual Art - Make it stand out divorce notebook, pen, ink, charcoal and acrylic, 22” x30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/c0a1a8ed-527b-4da0-970c-9390e14e7e2f/victim+narrative+%28thinly+veiled%29.jpg Visual Art - Make it stand out narrative (thinly veiled) (2021) 1'‘ x 1’ leather, paper, ink, mesh, pins https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/03937b84-c34e-4e89-b539-7807ffbbe717/dirty+margins+%28detail%29.jpg Visual Art - Make it stand out dirty margins (detail) (2024) vinyl, felt, applique thread, fake leather on felt https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1bbfc4d9-a826-4127-b4f8-a8f6400bb22d/IMG_5904.jpeg Visual Art - Make it stand out feed your demon (2024), applique on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1bc28316-b114-4787-9fa3-662fccc059de/trap+doors.jpeg Visual Art - Make it stand out trap doors (2024), applique on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/50374112-5e40-4b2b-aaec-ab67aa156c12/detail+of+trap+doors.jpeg Visual Art - Make it stand out trap doors (detail) (2024), applique and wire on felt, 3’ x 3’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/a33674ee-8a48-4316-8e47-f8d22ab1705a/eclipse+%28gradually...suddenly%29.jpeg Visual Art - Make it stand out eclipse (gradually…suddenly), felt on felt, 6’ x 6’ https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/de30ab40-f429-403c-966e-a965bc7da668/Stay.jpeg Visual Art - Make it stand out Stay, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/26492015-9001-44d9-a612-1f7dff561293/the+child+wants+both.jpeg Visual Art - Make it stand out part of the diptych the child wants both, pen and ink on paper, 22” x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659284173929-LZHNAOYJWQD3VVM0CTYY/image.jpg Visual Art - Make it stand out Detail from the series Rehearsal notebooks, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739381071-ZRWPTU7KV83ABSQSR06L/Hope+Art+7.jpg Visual Art - Make it stand out From the series Rehearsal notebooks, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739276827-7Q3NWEPNQZOXAFD5Y4TS/Hope+Art+2.jpg Visual Art - Make it stand out Untitled, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659284082509-DM1C8SMY6HMHEYG0IIQX/image.jpg Visual Art - Make it stand out bathtub of empty, pen and ink on paper, 11" x 15 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/b67eabbe-d27b-48a7-bfa7-6de6ab0263dc/Tegan+ground.jpeg Visual Art - Make it stand out Dancer Tegan Schwab-Alavi with liberation study #6, pen and glitter on paper, 22” x 30” https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1657739380893-S8MQTHNIVBF2YM2L25UH/Hope+Art+6.jpg Visual Art - Make it stand out If my liberation is bound up with yours, pen, felt, and ink on paper, 11" x 15 https://www.hopemohr.org/works-archive daily 0.75 2022-07-14 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1616858938899-3JWRPX7LYTVNYFAHULSZ/DSC03323.jpg Works archive https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1617153167738-E7RWWL5CMI7KG5U0NU5Q/0.jpeg Works archive Bacchae Before (2021) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1517930921215-5GV4WQT723GLX63DK3NY/HopePolarized_226.jpg Works archive extreme lyric I (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1508334245779-UZUVDWKEDNQPTEX10RT9/Suzette+on+floor.jpg Works archive Collaboration with painter Liam Everett (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426975765480-XPO96OET8F01VBBO48WP/image-asset.jpeg Works archive The Material of Attention (2012-2015) Collaboration with improviser Christian Burns https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426983034664-ZY5JPN0Q4NXHBKK8MCZA/image-asset.jpeg Works archive ridetherhythm (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426982192499-CREU73AOXK6UYGXYAEGT/image-asset.jpeg Works archive Reluctant Light (2012) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428008562657-69B2BKRQ6JFL6EYXLFTY/Hope+Mohr%27s+Selection-3966.jpg Works archive Under the Skin (2007-2008) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1500521410582-HS2JUK1KLWO6M2FXE9IP/image-asset.jpeg Works archive Collaboration with painter Ranu Mukherjee (2018-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1540520599156-DA80WVUDPU250N5N843T/Ritchie+Collaboration+.jpg Works archive Collaboration with painter Matthew Ritchie (2018) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1486230736574-4LWPVTK9J5S3T7H3038T/image-asset.jpeg Works archive Manifesting (2016) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1448079140567-WNPFGFM6JW48HBIQTZTG/20150413_095004.jpg Works archive minifesto (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426976491909-PQO9H24JXD4DLCRVIBWM/image-asset.jpeg Works archive Notes Toward a Supreme Fiction (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426975996851-UJ8DD6MSI3BRWA5JCRDQ/image-asset.jpeg Works archive The Unsayable (2011) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428642421345-ZP8AZRDJ35PUPI54733F/image-asset.jpeg Works archive The Language of the Listening Body (2006) Collaboration with sound designer Michelle Nagai https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1540520291392-5WZ6WM9EQXI65XEJGB65/IMG_20180410_140001.jpg Works archive Leaving the Atocha Station (2019) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1486477172336-PB4FCDRNCK9F3KTD2QFV/HopeMohr_353-Edit.jpg Works archive Precarious (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428006293639-ZSPM2JWWQMW5V3AJYUFT/image-asset.jpeg Works archive Stay (2015) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427569763813-C4F9Z7HX5A5Y64I0OYNG/image-asset.jpeg Works archive s(oft is)hard (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426976151914-44E91461FEZY7VSFCH69/image-asset.jpeg Works archive Failure of the Sign is the Sign (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426982227175-RO6OGSI2VJ4AABL5IW6B/image-asset.jpeg Works archive Far From Perfect (2010) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427759798853-JNDJ7X2P3C5MERB6FGXM/x+DSC06921.jpg Works archive Collaboration with painter Tracy Taylor Grubbs (ongoing) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1544196849886-ZCJ6IER78YDMKN31H65B/IMG-5668.JPG Works archive Collaboration with Visual Artist Danae Mattes and Composer Henry Threadgill (2019-current) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1495918378066-XSLSW33SSCCVJT7F6IUT/for+hope.jpg Works archive Collaboration with multimedia designer Rich DDT (2017) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426975884609-ADPTGIR288RBZSE70AS2/image-asset.jpeg Works archive Antigonick (2015) Collaboration with director Mark Jackson https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1426976373137-NG84CQ6AU4HK8GXW9P7M/image-asset.jpeg Works archive Route 20 (2014) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1428006077679-WW602OOWFDD2KJVY2N6S/image-asset.jpeg Works archive Plainsong (2013) https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1427759987372-A54NTPNHVOG4U8QW6WNF/image-asset.jpeg Works archive The Force that Drives the Flower (2009) https://www.hopemohr.org/advocacy daily 0.75 2025-10-03 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1659194797812-9K41B47QBQ1W0HO9V1XJ/A7_05392.jpg Advocacy https://www.hopemohr.org/published-works daily 0.75 2024-04-04 https://www.hopemohr.org/horizon-stanzas daily 0.75 2024-03-26 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/3b55c6b7-2cf3-42c2-a132-cbcaa9dce1b9/nice+trio.jpeg Horizon Stanzas Above (L to R): Suzette Sagisi, Belinda He, Tegan Schwab-Alavi in Horizon Stanzas. Photo by Robbie Sweeny. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/7c477b31-aade-4d72-bdf5-7b25408e6353/Shadow.jpg Horizon Stanzas - Make it stand out Above (L to R): Tegan Schwab-Alavi, Suzette Sagisi. Performance still by Loren Robertson. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/932dafc1-5577-4dab-829a-a6452a5e3c9f/Melodrama.jpg Horizon Stanzas - Make it stand out Above (L to R): Tegan Schwab-Alavi, Suzette Sagisi, Belinda He. Performance still by Loren Robertson. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/f6a948b3-d5cb-4297-a4c7-b5e8f3754cd8/Tyrant.jpg Horizon Stanzas - Make it stand out Above (L to R): Belinda He, Tegan Schwab-Alavi, Suzette Sagisi. Performance still by Loren Robertson. https://www.hopemohr.org/artist-statement daily 0.75 2024-10-14 https://www.hopemohr.org/partial-view daily 0.75 2024-04-21 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/b2ced3f5-61ed-49ea-b932-aca15c36200e/IMG_6103.jpeg Partial View final https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/63562731-5b12-43c7-8477-bda94c1dfed3/RB7.jpeg Partial View final https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/773deaf0-b594-481d-a6c3-bcbfc1f8ce7a/RB10.jpeg Partial View final - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/2ec34f20-4068-4d81-af2c-cdc4dc133876/RB1.jpeg Partial View final https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/e0bfdec1-ca2d-4ed2-b32a-f5d8c59b357d/RB2.jpeg Partial View final - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/a0649204-bbf1-4c60-b952-cd24eb5cd0d5/title+card+right+before+installation+shot%3F.jpeg Partial View final - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/d08d7f16-6eea-4ae3-aee2-7287f96f265d/Partial+View.jpeg Partial View final https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/4207fcf5-8aea-4c44-9268-5d78b2ec677c/RB6.jpg Partial View final https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/f04fce12-0454-4b96-bfb8-754835b86be9/RB11.jpeg Partial View final https://www.hopemohr.org/score-for-transitional-times daily 0.75 2025-03-05 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1733094633049-3IGGHTMDAIW1I7APMWUA/Music+for+ravens.jpg score for transitional times https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/1739726716249-0FTT5ZH4UT3HYLT0B2NT/Dancers.jpg score for transitional times - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.hopemohr.org/float-the-mark daily 0.75 2025-03-26 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/e9b356e0-0674-4ebd-aebe-70373b2e73d0/FLOAT+THE+MARK.png Float the Mark - Make it stand out Performers Jay Carlon and Johnny Nguyen https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/b985fc77-7cbf-40e7-94d1-a245935aabe0/Jay+and+Johnny.jpg Float the Mark - Make it stand out Performers Jay Carlon and Johnny Nguyen https://www.hopemohr.org/carestamina-2025 daily 0.75 2025-07-24 https://images.squarespace-cdn.com/content/v1/550a1c94e4b0545b6579edde/7c8813b6-754c-456c-b71c-fedfeae9bcb5/Melissa+and+Karla+with+Arleene1.jpg carestamina-2025 - Make it stand out care/stamina is a performance installation and a slow-moving sculpture in which two dancers share weight, touch, vulnerability, and stillness. Directed by Hope Mohr in collaboration with dancers Karla Quintero and Melissa Lewis Wong and sound artist Zachary James Watkins, care/stamina is performed within the exhibition of work by Arleene Correa Valencia titled Codice del Perdedor/The Losing Man’s Codex at the Catharine Clark Gallery. Hosted by BOXBLUR at the Catharine Clark Gallery as part of an evening also featuring an artist talk between Arleene Correa Valencia and Faviana Rodriguez. In the words of artist Arleene Correa Valencia: "I love the idea of having to work together to hold each other. My work is very much about the balance between visibility and invisibility. I think a lot about ways in which we carry each other even when the other isn’t visible or present. The bodies fight to exist together and apart. " In the words of choreographer Hope Mohr: "This work offers an embodied expression of care as a stamina practice. This can look like a sustained difficult hold, a walk holding hands, or humming into someone's ear. There are so many different ways to touch another person. Touch can be a form of sanctuary. Inside this sanctuary, so much is possible." Image: Melissa Lewis Wong and Karla Quintero rehearse care/stamina.