Press Release Archive
Montalvo Artist Residency
2010 Home Season
2009 Performances
2009 CHIME Announcement
2008 Performances
Press Coverage Archive
Creativity Continuum, Rita Felciano, SF Bay Guardian, March 9, 2010
Hope Mohr Questions the Boundaries of Dance, Katie Gaydos, Daily Californian, March 9, 2010
Hope Mohr: Three Generations of Dance, 7x7.com, March 1, 2010
No to Everything, But..., Dance Magazine, March 2010
Dance Flash: Q & A with Hope Mohr, SF Appeal, March 2010
Craft in Context: Lineage, Mentorship and the Work of Hope Mohr, Emily Hite, In Dance, March 2010
Hope Mohr Dance Takes on Motherhood, Tiffany Maleshefksi, San Francisco Examiner, Feb. 26, 2009, p. 31
The Force that Drives the Flower, Mona Baroudi, S.F. Arts.org, Feb. 11, 2009
Choreographers in Mentorship Exchange Names 2009 Grantees, Voice of Dance, Dec. 9, 2009
Seasoned Hope, Bonner Odell, San Francisco Weekly, March 16, 2008
Hope Mohr Dance: Confident in the fertile tension between subject matter and formal demands, Rita Felciano, San Francisco Bay Guardian, March 12, 2008
The body from the inside out, Diana Reynolds Roome, Palo Alto Weekly, March 7, 2008
Dancers get under your skin, Christina Troup, San Francisco Examiner, March 12, 2008
Hope Comes Home, Michael Wade Simpson, In Dance, March 2008
Under the skin: A transformative experience, Helen Woods, Community Breast Health Project Connections Newsletter, June 2007, at 2
Two Choreographic Commissions: Two Ways of Working, Jasmine Chiu, Stanford Drama Newsletter, Summer 2007, at 10
Bay area choreographers to premiere new works, Stanford Report, April 30, 2007
Finding Liberation from Thinking: A little voice told the law student she should be dancing, Leslie Talmadge, Stanford Magazine, Jan/Feb 2004
Dancing the day away with Hope Mohr, Emily Hite, Stanford Daily, February 25, 2005
Listen to a profile of Hope Mohr Dance on the Comcast show, Inside City Limits:
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Quotes
"Like Zen calligraphy, Mohr's choreography exudes an easy spontaneity that belies the years of practice behind its craft."
—San Francisco Examiner
"Hope Mohr has a wonderful integrity and isn't afraid to bring emotion into her work. Particularly enjoyable is how she uses the release idiom in a very austere way along with quite a lot of ballet; strict with her geometry, she uses it as a container for emotion. She's serious."
—Dance Critic Paul Parish
Press contact:
monabaroudipr.com
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